<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4115930751838301299</id><updated>2012-02-11T14:28:09.315-05:00</updated><category term='images'/><category term='Kirsanoff'/><category term='Scola'/><category term='Rosi'/><category term='Robert'/><category term='Molinaro'/><category term='Gance'/><category term='Miller'/><category term='Martine Carol'/><category term='Aurel'/><category term='Marina Vlady'/><category term='Vigo'/><category term='Françoise Fabian'/><category term='Rivette'/><category term='Orson Welles'/><category term='Mario Bava'/><category term='Giovanni'/><category term='BD'/><category term='Koralnik'/><category term='Jean 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Signoret'/><category term='Eddie Constantine'/><category term='Mocky'/><category term='L&apos;Herbier'/><category term='Borderie'/><category term='Tourneur'/><category term='Calef'/><category term='Cocteau'/><category term='Rappeneau'/><category term='Grémillon'/><category term='Sophia Loren'/><category term='1900-09'/><category term='Grangier'/><category term='érotisme'/><category term='Fernandel'/><category term='Michel Simon'/><category term='1950-59'/><category term='Labro'/><category term='Robbe-Grillet'/><category term='1980-89'/><category term='Art'/><category term='Jeux'/><category term='lennon'/><category term='Brel'/><category term='Bernadette Lafont'/><category term='Lelouch'/><category term='Miou-Miou'/><category term='Epstein'/><category term='Dassin'/><category term='Littérature'/><category term='Stelli'/><category term='Verhaeghe'/><category term='Danielle Darrieux'/><category term='Boyer'/><category term='Bolognini'/><category term='Capellani'/><category term='Zurlini'/><category term='Fanny Ardant'/><category term='Resnais'/><category term='Berthomieu'/><category term='Malle'/><category term='Berri'/><title type='text'>Francomac™</title><subtitle type='html'>Jean-Baptiste Jouvenet-La Résurrection de Lazarus (1706)</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default?start-index=101&amp;max-results=100'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>2794</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-2208093269167082107</id><published>2012-02-11T10:06:00.003-05:00</published><updated>2012-02-11T11:13:03.453-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Film noir'/><category scheme='http://www.blogger.com/atom/ns#' term='1940-49'/><title type='text'>Milestone-1946-The Strange Love of Martha Ivers</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/Poster-StrangeLoveofMarthaIversThe_02.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/Poster-StrangeLoveofMarthaIversThe_02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/emprise_crime_gen.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 106px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/emprise_crime_gen.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lisbeth_thb.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lisbeth_thb.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/aff_a.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 899px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/650_aff_a.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;The Strange Love of Martha Ivers&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;L'Emprise du crime&lt;/span&gt;&lt;br /&gt;1946 - 1hre 56 - VoStFr incrustés&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FMilestone-1946-L_Emprise%2520du%2520crime%2FLizabethScott.mp4" height="488" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Lewis Milestone&lt;/span&gt;&lt;br /&gt;Assistants réalisateur : &lt;span style="font-weight: bold;"&gt;Robert Aldrich&lt;/span&gt; et Richard McWhorter&lt;br /&gt;Scénario : Robert Rossen et Robert Riskin, d'après l'histoire de John Patrick, &lt;span style="font-style: italic;"&gt;Love Lies Bleeding&lt;/span&gt;.&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/Poster-StrangeLoveofMarthaIversThe_02.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/?action=view&amp;amp;current=emprise_crime-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/emprise_crime-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lisbeth_thb.png"&gt;&lt;/a&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Barbara Stanwyck&lt;/span&gt; : Martha Ivers&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/Stanwyck_emprise_crime-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 480px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/Stanwyck_emprise_crime-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/Stanwyck_emprise_crime-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/Stanwyck_emprise_crime-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/stanwyck_emprise_crime-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/stanwyck_emprise_crime-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/stanwyck_emprise_crime-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 480px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/stanwyck_emprise_crime-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Van Heflin : Sam Masterson&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/?action=view&amp;amp;current=emprise_crime-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/emprise_crime-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Lizabeth Scott&lt;/span&gt; : Toni Marachek&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lizabeth_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 480px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lizabeth_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lizabeth_3.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lizabeth_3.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lizabeth_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lizabeth_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lizabeth_4.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 480px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/lizabeth_4.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kirk Douglas&lt;/span&gt; : Walter O'Neil&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/?action=view&amp;amp;current=emprise_crime-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/emprise_crime-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Judith Anderson : Mme Ivers&lt;br /&gt;Roman Bohnen : M. O'Neil&lt;br /&gt;Darryl Hickman : Sam Masterson enfant&lt;br /&gt;Janis Wilson : Martha Ivers enfant&lt;br /&gt;Ann Doran : Bobbi St John, la secrétaire&lt;br /&gt;James Flavin : Le détective&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/?action=view&amp;amp;current=emprise_crime-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/emprise_crime-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;1928. Martha Ivers, jeune orpheline recueillie par une tante autoritaire à l'extrême, est responsable de la mort accidentelle de la vieille dame. Walter, le fils d'un homme d'affaires cupide, tuteur de Martha, a été témoin du geste. Martha l'épouse pour obtenir son silence. 1946. Sam, un camarade d'enfance de Martha, revient dans la petite ville qu'il a quittée la nuit du drame. Walter, qui va être réélu procureur, l'accueille assez froidement, croyant qu'il a été témoin du crime.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/?action=view&amp;amp;current=emprise_crime-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Milestone-1946-L_Emprise%20du%20crime/emprise_crime-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Puis, constatant que Martha a plaisir à le revoir, tente de le faire disparaître. Sam découvre alors qu'un individu à la conscience assez chargés par ailleurs, mais innocent de la mort de la tante de Martha, a été pendu. Il en fait le reproche à Walter. Celut-ci tente d'acheter son silence. Sam refuse. Walter, se sachant perdu et souffrant sous la domination de Martha, la tue et se suicide. 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&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Lizabeth%20Scott/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Lizabeth Scott&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Lizabeth%20Scott/Lizabeth_Scott-31.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Lizabeth%20Scott/Lizabeth_Scott-31.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Barbara%20Stanwyck/"&gt;Barbara Stanwyck&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Barbara%20Stanwyck/01-Barbara_Stanwyck.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Barbara%20Stanwyck/01-Barbara_Stanwyck.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-2208093269167082107?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/2208093269167082107/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=2208093269167082107&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/2208093269167082107'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/2208093269167082107'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/milestone-1946-strange-love-of-martha.html' title='Milestone-1946-The Strange Love of Martha Ivers'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-9052842153626544370</id><published>2012-02-11T06:12:00.003-05:00</published><updated>2012-02-11T07:54:55.990-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Film noir'/><category scheme='http://www.blogger.com/atom/ns#' term='1940-49'/><title type='text'>Vidor-1946-Gilda</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/poster_-_gilda_02a.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 632px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/650_poster_-_gilda_02a.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda_gen.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 80px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda_gen.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gild.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gild.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic; color: rgb(153, 51, 153);font-size:180%;" &gt;Gilda&lt;/span&gt;&lt;br /&gt;1946 - 1Hre 45 - VFr&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FVidor-1946-Gilda%2FRitaHayworth.mp4" height="475" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FVidor-1946-Gilda%2FRitaHayworth_2.mp4" height="475" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisateur: &lt;span style="font-weight: bold;"&gt;Charles Vidor  &lt;/span&gt;&lt;br /&gt;Assistants réalisateur: Arthur S. Black et George Webster&lt;br /&gt;Scénariste: Marion Parsonnet&lt;br /&gt;Collaborateur scénaristique: Ben Hecht&lt;br /&gt;Auteur de l'oeuvre originale: E.A. Ellington&lt;br /&gt;Adaptateur: Jo Eisinger&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Rita Hayworth&lt;/span&gt; : Gilda&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 475px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-07.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-07.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-06.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 475px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-06.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Glenn Ford&lt;/span&gt; : Johnny Farrell&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;George Macready : Ballin Mundson&lt;br /&gt;Joseph Calleia : Miguel Obregon&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Steven Geray : oncle Pio&lt;br /&gt;Joe Sawyer : Casey&lt;br /&gt;Gerald Mohr : le capitaine Delgado&lt;br /&gt;Robert Scott : Gabe Evans&lt;br /&gt;Ludwig Donath : l'Allemand&lt;br /&gt;Don Douglas : Thomas Langford&lt;br /&gt;Anita Ellis : Gilda (voix chantée)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Johnny Farrell, joueur professionnel, débarque à Buenos Aires, en Argentine. Il se lie d'amitié avec Ballin Mundson, le propriétaire d'un casino, dont il devient l'associé. À l'issue d'un voyage d'affaires, Ballin revient, accompagné de celle qu'il vient d'épouser : l'extraordinaire Gilda. Le hasard, la prédestination, veulent qu'elle soit précisément l'ex-fiancée de Farrell. Ballin, suspectant l'ancienne liaison, confie à Farrell la garde de Gilda. L'ancien amour renaît de ses cendres. Farrell, en proie à la haine, la jalousie, subit l'inversion de sa passion amoureuse. Ballin, quant à lui, assoiffé de pouvoir, prépare l'organisation d'un trust international visant le monopole mondial du commerce d'un métal rare : le tungstène. Il réunit autour de lui un cartel d'hommes d'affaires, organisation secrète dont il est le chef.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-03.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 475px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-03.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;L'amour cependant, la passion qui le lie à Gilda, lui fait commettre les erreurs qui ruinent son plan. Gilda, devenue la veuve de Ballin, épouse Farrell en secondes noces. Ce dernier prend la succession de Ballin à la tête du cartel du tungstène. Il accuse Gilda d'infidélité, et lui reproche de ne pas respecter la mémoire de son défunt mari. Gilda relève le défi de Farrell. Elle provoque Farrell et démontre à tous qu'elle est effectivement cette épouse infidèle qu'il a lui-même épousée. Coup de théâtre, Ballin, que l'on croyait mort, resurgit… Il compte bien reprendre Gilda, et menace d'éliminer Farrell. Ballin est tué in extremis par Oncle Pio, l'employé-philosophe du casino et ange-gardien de Gilda.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 475px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-weight: bold;"&gt;L’image de Rita sera collée sur une des premières bombes atomiques, baptisée « Gilda », et larguée en 1946 sur l’atoll de Bikini. (!!!)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-05.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 475px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_hayw_gilda-05.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;DivX 5,0 | 640x464 pixels | Mp3 | 1,45 Go&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3977638625/noir_46_gilda.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2349476807/noir_46_gilda.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1510645223/noir_46_gilda.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3254762967/noir_46_gilda.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2272560411/noir_46_gilda.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4060504883/noir_46_gilda.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3208215061/noir_46_gilda.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2512673964/noir_46_gilda.zip.008&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3804163084/noir_46_gilda.zip.009&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-wallpaper_86496_5670.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-wallpaper_86496_5670.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-wallpaper_86499_5670.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-wallpaper_86499_5670.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-wallpaper_86497_5670.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-wallpaper_86497_5670.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-wallpaper_86498_5670.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-wallpaper_86498_5670.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-1946-04.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/gilda-1946-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-gilda-30-05-1947-15-03-1946-10-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-gilda-30-05-1947-15-03-1946-10-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-gilda-30-05-1947-15-03-1946-9-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-gilda-30-05-1947-15-03-1946-9-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-gilda-30-05-1947-15-03-1946-6-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-gilda-30-05-1947-15-03-1946-6-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-gilda-30-05-1947-15-03-1946-5-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-gilda-30-05-1947-15-03-1946-5-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-1946-14-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-1946-14-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-1946-13-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-1946-13-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-1946-12-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-1946-12-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-1946-08-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-1946-08-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-1946-07-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-1946-07-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-1946-06-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-1946-06-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-gilda-30-05-1947-15-03-1946-8-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-gilda-30-05-1947-15-03-1946-8-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-1946-05-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-1946-05-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-gilda-30-05-1947-15-03-1946-7-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-gilda-30-05-1947-15-03-1946-7-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-1946-16-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-1946-16-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=gilda-1946-15-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_gilda-1946-15-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_gilda05.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/rita_gilda05.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=rita_gilda13.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_rita_gilda13.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=rita_gilda12.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_rita_gilda12.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=rita_gilda11.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_rita_gilda11.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=rita_gilda10.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_rita_gilda10.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=rita_gilda09.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_rita_gilda09.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=rita_gilda08.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_rita_gilda08.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/?action=view&amp;amp;current=rita_gilda07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Vidor-1946-Gilda/th_rita_gilda07.jpg" alt="" border="0" /&gt;&lt;/a&gt; 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margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Rita%20Hayworth/Rita_Hayworth-45.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-9052842153626544370?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/9052842153626544370/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=9052842153626544370&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/9052842153626544370'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/9052842153626544370'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/vidor-1946-gilda.html' title='Vidor-1946-Gilda'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-1556098492201538838</id><published>2012-02-11T04:33:00.005-05:00</published><updated>2012-02-11T04:44:20.186-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Voix de femmes'/><category scheme='http://www.blogger.com/atom/ns#' term='Musique'/><title type='text'>Voix de femmes 75 de ... Édith Piaf</title><content type='html'>&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/harcourtpiaf.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/harcourtpiaf.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;&lt;/span&gt;&lt;blockquote&gt;&lt;span style="font-weight: bold;"&gt;Édith Piaf&lt;/span&gt;&lt;br style="font-weight: bold;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;L'homme à la Moto&lt;/span&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/piaf_homme_moto.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/piaf_homme_moto.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/alamoto.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 735px; height: 764px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/alamoto.jpg" alt="" border="0" /&gt;&lt;/a&gt;---&lt;br /&gt;&lt;iframe frameborder="0" width="650" height="487" src="http://www.dailymotion.com/embed/video/x18x9v?logo=0&amp;hideInfos=1"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;--&amp;gt; &lt;a href="https://www.rapidshare.com/files/2670171531/teuse_homm_moto.zip"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Mp3 @320 Kbps | 140 Mo&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/8050.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/8050.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-1556098492201538838?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/1556098492201538838/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=1556098492201538838&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/1556098492201538838'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/1556098492201538838'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/voix-de-femmes-75-de-edith-piaf.html' title='Voix de femmes 75 de ... Édith Piaf'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/th_harcourtpiaf.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-7354459376053208120</id><published>2012-02-10T13:36:00.002-05:00</published><updated>2012-02-10T14:03:21.820-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='de Baroncelli'/><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='1930-39'/><title type='text'>de Baroncelli-1939-L'Homme du Niger</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/l-homme-du-niger-affiche_55026_2419.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/l-homme-du-niger-affiche_55026_2419.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;L'Homme du Niger&lt;/span&gt;&lt;br /&gt;1939 - 1hre 30&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 576x416 pixels | Mp3 | 790 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/l_homme_du_niger0.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/l_homme_du_niger0.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/l_homme_du_niger0.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/l_homme_du_niger0.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;L'Homme du Niger&lt;/span&gt;&lt;br /&gt;1939 - 1hre 30&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/U8n-6vpqJo4" allowfullscreen="" frameborder="0" height="471" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Jacques de Baroncelli&lt;/span&gt;&lt;br /&gt;Scénario : Albert Dieudonné d'après le livre de Jean Paillard&lt;br /&gt;Dialogues : &lt;span style="font-weight: bold;"&gt;Joseph Kessel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=homme_niger-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/homme_niger-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=homme_niger-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/homme_niger-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Victor Francen&lt;/span&gt;  : le commandant Bréval&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=homme_niger-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/homme_niger-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jacques Dumesnil&lt;/span&gt;  : le lieutenant Parent&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=homme_niger-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/homme_niger-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Annie Ducaux&lt;/span&gt;  : Danièle Mourrier&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 470px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-05.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-05.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 470px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Harry Baur &lt;/span&gt; : le major-médecin Bourdet&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=homme_niger-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/homme_niger-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Blanche Denège  : Sœur Théoneste&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=homme_niger-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/homme_niger-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Georges Mauloy  : François Mourrier&lt;br /&gt;Habib Benglia  :&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=homme_niger-07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/homme_niger-07.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Trois officiers au Soudan, le commandant Bréval, un major, un lieutenant, travaillent fraternellement à l'amélioratioin du pays. Bréval voudrait édifier un barrage qui lui rendrait son ancienne fertilité. Un savant en mission approuve son projet. Le savant est accompagné de sa fille qui s'éprend du commandant au chagrin d'un jeune sous-lieutenant que la jeune fille avait également conquis. Rentré en France pour le mariage, Bréval apprend qu'il est atteint de la lèpre. Désespéré, il démissionne et disparait. Sa fiancée, cruellement atteinte et qui le croit mort, épouse le jeune officier.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 470px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/annie_ducaux_homme_niger-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Trois ans plus tard, Bréval a regagné le Soudan déguisé en Targui ; le major le soigne et sous sa direction occulte donne des instructions pour la construction du barrage. Enfin, l'oeuvre s'achève et Bréval est guéri. Mais le lieutenant revient au Soudan avec sa femme. Celle-ci rencontre Bréval ; il s'aiment toujours ; ils céderaient à la passion si ce n'était la crainte de faire souffrir le lieutenant. La situation se dénoue par une scène tragique : un agitateur essaie de révolter les noirs contre le barrage ; Bréval défend son oeuvre et réussit à ramener les noirs au travail, mais l'agitateur, en s'enfuyant, lui tire un coup de fusil qui le tue.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=homme_niger-08.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/homme_niger-08.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 576x416 pixels | Mp3 | 790 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1709159107/baroncelli_39_homme_niger.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1993646527/baroncelli_39_homme_niger.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2720501972/baroncelli_39_homme_niger.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1746600990/baroncelli_39_homme_niger.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1835435557/baroncelli_39_homme_niger.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=2419__homme_du_niger_l__-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/th_2419__homme_du_niger_l__-03.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/?action=view&amp;amp;current=2419__homme_du_niger_l__-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/de%20Baroncelli-1939-L_Homme%20du%20Niger/th_2419__homme_du_niger_l__-02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Annie%20Ducaux/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Annie Ducaux&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Annie%20Ducaux/annie_ducaux_14.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Annie%20Ducaux/annie_ducaux_14.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-7354459376053208120?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/7354459376053208120/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=7354459376053208120&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7354459376053208120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7354459376053208120'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/de-baroncelli-1939-lhomme-du-niger.html' title='de Baroncelli-1939-L&apos;Homme du Niger'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/U8n-6vpqJo4/default.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-8785555608714879106</id><published>2012-02-09T13:54:00.004-05:00</published><updated>2012-02-09T14:24:53.753-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='1930-39'/><title type='text'>Colombier-1934-Ces messieurs de la santé</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/ces-messieurs-de-la-sant-affiche.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 910px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/ces-messieurs-de-la-sante-affiche_650.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;&lt;span style="font-family:times new roman;"&gt;Ces messieurs de la santé&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;1934 - 1hre 55&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 576x432 pixels | Mp3 | 690 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/ces-messieurs-de-la-sant-affiche_7599_2119.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 657px; height: 889px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/ces-messieurs-de-la-sant-affiche_7599_2119.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;&lt;span style="font-family:times new roman;"&gt;Ces messieurs de la santé&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;1934 - 1hre 55&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/7VkX8TyZkrc" allowfullscreen="" frameborder="0" height="488" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisateur: &lt;span style="font-weight: bold;"&gt;Pierre Colombier &lt;/span&gt;&lt;br /&gt;Assistant réalisateur: Edouard Lepage&lt;br /&gt;Scénaristes: Paul Armont et Léopold Marchand&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=messieurs_de_la_sante-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/messieurs_de_la_sante-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=messieurs_de_la_sante-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/messieurs_de_la_sante-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Raimu&lt;/span&gt;&lt;/span&gt; : Gédéon - Jules Taffard&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=raimu-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/raimu-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=raimu-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/raimu-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pauline Carton&lt;/span&gt; : Madame Genissier&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Edwige Feuillère&lt;/span&gt; : Fernande Genissier&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=messieurs_de_la_sante-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/messieurs_de_la_sante-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=messieurs_de_la_sante-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/messieurs_de_la_sante-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Yvonne Hébert : Claire&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=YvonneHbert.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/YvonneHbert.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Monique Rolland : Ninon&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=messieurs_de_la_sante-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/messieurs_de_la_sante-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Guy Derlan : Zwerch&lt;br /&gt;Lucien Baroux : Amédée Floque&lt;br /&gt;Pierre Stephen : Hector Genissier&lt;br /&gt;Paul Amiot : le commissaire&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=raimu-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/raimu-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Un escroc s'évade de La Santé où il purge une peine pour avoir commis quelques entourloupes. A nouveau libre, il décide de repartir à zéro, et il se fait engager comme garçon de magasin sous un nom d'emprunt...&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=raimu-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/raimu-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br style="font-style: italic;"&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Cette nouvelle identité va lui permettre d'entamer une brillante carrière de financier. Cependant, son passé va finir par le rattraper&lt;/span&gt;.&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=messieurs_de_la_sante-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/messieurs_de_la_sante-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 576x432 pixels | Mp3 | 690 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/706978688/colombier_34_messieurs_sante.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2642979414/colombier_34_messieurs_sante.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3629667254/colombier_34_messieurs_sante.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1234998/colombier_34_messieurs_sante.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/ces-messieurs-de-la-sante-1933-05-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/ces-messieurs-de-la-sante-1933-05-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=ces-messieurs-de-la-sante-1933-04-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/th_ces-messieurs-de-la-sante-1933-04-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=ces-messieurs-de-la-sant-ii03-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/th_ces-messieurs-de-la-sant-ii03-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=ces-messieurs-de-la-sant-ii02-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/th_ces-messieurs-de-la-sant-ii02-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/ces-messieurs-de-la-sant-ii01-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/ces-messieurs-de-la-sant-ii01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/?action=view&amp;amp;current=cesmessieursdelasante07.png" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Colombier-1934-Ces%20messieurs%20de%20la%20sante/cesmessieursdelasante07.png" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Edwige%20Feuillere/"&gt;Edwige Feuillère&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Edwige%20Feuillere/edwige_feuillere_013.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Edwige%20Feuillere/edwige_feuillere_013.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-8785555608714879106?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/8785555608714879106/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=8785555608714879106&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/8785555608714879106'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/8785555608714879106'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/colombier-1934-ces-messieurs-de-la.html' title='Colombier-1934-Ces messieurs de la santé'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/7VkX8TyZkrc/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-5078035337294626281</id><published>2012-02-08T06:00:00.005-05:00</published><updated>2012-02-08T07:53:34.777-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Deray'/><category scheme='http://www.blogger.com/atom/ns#' term='1970-79'/><title type='text'>Deray-1970-Borsalino + Bonus</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino_aff_1.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 888px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino_aff_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Borsalino&lt;/span&gt;&lt;br /&gt;1970 - 2 hres&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;DivX 5,0 | 640x384 pixels | Mp3 | 1,35 Go&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-03-1970-3-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 633px; height: 980px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-03-1970-3-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Borsalino&lt;/span&gt;&lt;br /&gt;1970 - 2 hres&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FDeray-1970-Borsalino%2FCatherineRouvel-AlainDelonetJPBelmondo.mp4" height="391" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Jacques Deray&lt;/span&gt;&lt;br /&gt;Scénario : Jean-Claude Carrière, Jean Cau, Jacques Deray et &lt;span style="font-weight: bold;"&gt;Claude Sautet&lt;/span&gt;, d'après le livre &lt;span style="font-style: italic;"&gt;Bandits de Marseille&lt;/span&gt;, d'Eugène Saccomano&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jean-Paul Belmondo&lt;/span&gt; : François Capella&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/belmondo_borsalino-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/belmondo_borsalino-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/belmondo_borsalino-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/belmondo_borsalino-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/belmondo_borsalino-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/belmondo_borsalino-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/belmondo_borsalino-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/belmondo_borsalino-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Alain Delon&lt;/span&gt; : Roch Siffredi&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/delon_borsalino-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/delon_borsalino-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/delon_borsalino-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/delon_borsalino-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/delon_borsalino-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/delon_borsalino-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/delon_borsalino-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/delon_borsalino-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Catherine Rouvel&lt;/span&gt; : Lola&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/catherine_rouvel_borsalino-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/catherine_rouvel_borsalino-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/catherine_rouvel_borsalino-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/catherine_rouvel_borsalino-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/catherine_rouvel_borsalino-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/catherine_rouvel_borsalino-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Michel Bouquet&lt;/span&gt; : M° Rinaldi&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Françoise Christophe : Simone Escarguel&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=FranoiseChristophe.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/FranoiseChristophe.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Corinne Marchand : Mme Rinaldi&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=CorinneMarchand.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/CorinneMarchand.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;Nicole Calfan&lt;/span&gt; : Ginette&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/NicoleCalfan.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/NicoleCalfan.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Julien Guiomar  : Simon Boccace&lt;br /&gt;Mario David  : Mario&lt;br /&gt;Daniel Ivernel : commissaire Fanti&lt;br /&gt;Arnoldo Foa : Marello&lt;br /&gt;Christian de Tillière : "Le Danseur"&lt;br /&gt;Lionel Vitrant  : Fernand&lt;br /&gt;Denis Berry : Nono&lt;br /&gt;Jean Aron : Martial Roger&lt;br /&gt;André Bollet : Poli&lt;br /&gt;Pierre Koulak : Spada&lt;br /&gt;Laura Adani : Mme Siffredi mère&lt;br /&gt;Yvan Chiffre&lt;br /&gt;Hélène Rémy : Lydia&lt;br /&gt;Odette Piquet : chanteuse&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Mireille Darc&lt;/span&gt; : une prostituée&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=mireille_darc.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/mireille_darc.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Marius Laurey : inspecteur Teyssère&lt;br /&gt;Roland Legrain : Le Gitan&lt;br /&gt;Stan Dylik : Le Sétois&lt;br /&gt;Raoul Guylad : second de Marello&lt;br /&gt;Jean Panisse : René&lt;br /&gt;Sylvie Lenoir : Mireille&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-05.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-05.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Marseille 1930. Sortant de prison, Siffredi, ]eune truand plein d'ambition, retrouve son amie sous la coupe d'un certain Capella. Les deux hommes entament une bagarre homérique, au terme de laquelle, ils décident de devenir amis. Ils ont l'intention de conquérir ensemble Marseille. Ils sont dénués de scrupules et assez imaginatifs. L'avocat Renaldi les met en contact avec Madame Escargil dont le mari, un paralytique, veut contrôler entièrement les marchés d'alimentation du poisson. Les hommes de Siffredi et Capella saboteront les marchés concurrents. Les deux truands s'occuperont aussi du kidnapping d'un cheval de course et d'un match de boxe truqué.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Tous ces coups consistent en des escroqueries ingénieuses qui demandent, de la part de leurs auteurs, de la virtuosité. Mais peu à peu l'atmosphère change. Capella et Siffredi se mettent à attaquer les truands en place. II s'ensuit une série de vengeances et de contre-vengeances ou les deux gangsters auront pourtant le dernier mot. Siffredi et Capella se retrouvent l'un et l'autre au sommet de la réussite, « possédant » tout Marseille devant une police impuissante. C'est alors que Capella annonce à son ami sa décision de se retirer, car il sait qu'un jour ou l'autre ils en viendraient à s'entretuer. Mais au moment où il s'en va, Capella est frappé à mort par une rafale de mitraillette. C'est alors que, Siffredi décide de disparaître et jamais on n'entendit parler de lui.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;1970 : Nomination pour l'Ours d'Or au Festival du film de Berlin&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;1971 : Nomination dans la catégorie Edgar Best Motion Best Picture au Edgar Allan Poe Awards pour les scénaristes.&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;1971 : Nomination aux Golden Globe Awards dans la catégorie Meilleur film étranger&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-1970-05-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-1970-05-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;DivX 5,0 | 640x384 pixels | Mp3 | 1,35 Go&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/799171318/deray_70_bord_sale_lino_x.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/167294577/deray_70_bord_sale_lino_x.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2949337712/deray_70_bord_sale_lino_x.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2548979269/deray_70_bord_sale_lino_x.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/178271430/deray_70_bord_sale_lino_x.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3576886099/deray_70_bord_sale_lino_x.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3173140657/deray_70_bord_sale_lino_x.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/713238991/deray_70_bord_sale_lino_x.zip.008&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;Les Suppléments&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/BORSALINO2009LivretCover.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/BORSALINO2009LivretCover.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/suppl.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 531px; height: 271px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/suppl.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;00-Eugène Saccomano&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;01- Jean-Claude Carrière&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;02-Michel Bouquet&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;03-Nicole Calfan&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;04-Françoise Christophe&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;05-Corinne Marchand&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;06-Catherine Rouvel&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;07-Stéphane Lerouge&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;08-Agnes Vincent-Deray&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;09-Michel Drucker&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;10-Alain Delon&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;1 Go&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/342347097/deray_70_bord_sale_lino_s.zip.001&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/887384594/deray_70_bord_sale_lino_s.zip.002&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/3550499659/deray_70_bord_sale_lino_s.zip.003&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/1581714215/deray_70_bord_sale_lino_s.zip.004&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/2236432442/deray_70_bord_sale_lino_s.zip.005&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/3202865052/deray_70_bord_sale_lino_s.zip.006&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-1970-03-g.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-1970-03-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-16-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-16-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-15-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-15-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-14-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-14-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-13-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-13-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-12-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-12-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-11-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-11-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-10-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-10-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-09-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-09-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; 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• &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-01-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-tou-02-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-tou-02-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-17-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-17-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/?action=view&amp;amp;current=borsalino-1970-tou-02-1-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/th_borsalino-1970-tou-02-1-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-1970-04-g.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1970-Borsalino/borsalino-1970-04-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://www.mediafire.com/?p37wf556r7bcv"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Catherine Rouvel&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://2.bp.blogspot.com/-bjUsAdFnDLI/TzJvUzL6hYI/AAAAAAAAFHI/QZkYY42qz8w/s1600/catherine_rouvel_007.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://2.bp.blogspot.com/-bjUsAdFnDLI/TzJvUzL6hYI/AAAAAAAAFHI/QZkYY42qz8w/s1600/catherine_rouvel_007.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/-X9xcWNlajj4/TzJvJaMIDgI/AAAAAAAAFG8/i6gzc5iwdu8/s1600/catherine_rouvel_025a.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 478px; height: 958px;" src="http://2.bp.blogspot.com/-X9xcWNlajj4/TzJvJaMIDgI/AAAAAAAAFG8/i6gzc5iwdu8/s1600/catherine_rouvel_025a.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-5078035337294626281?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/5078035337294626281/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=5078035337294626281&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/5078035337294626281'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/5078035337294626281'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/deray-1970-borsalino-bonus.html' title='Deray-1970-Borsalino + Bonus'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-bjUsAdFnDLI/TzJvUzL6hYI/AAAAAAAAFHI/QZkYY42qz8w/s72-c/catherine_rouvel_007.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-7670262851531166398</id><published>2012-02-07T14:20:00.003-05:00</published><updated>2012-02-07T14:53:02.126-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Lino Ventura'/><category scheme='http://www.blogger.com/atom/ns#' term='Deray'/><category scheme='http://www.blogger.com/atom/ns#' term='1970-79'/><title type='text'>Deray-1978-Un papillon sur l'épaule</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/wbWwlzVTOrsy627q62BHTDnvTRH.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/wbWwlzVTOrsy627q62BHTDnvTRH.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Un papillon sur l'épaule&lt;/span&gt;&lt;br /&gt;1978 - 1hre 35&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;DivX 5,0 | 656x384 pixels | Mp3 | 730 Mo&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/un-papillon-sur-l-paule-affiche_355958_2596.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/un-papillon-sur-l-paule-affiche_355958_2596.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Un papillon sur l'épaule&lt;/span&gt;&lt;br /&gt;1978 - 1hre 35&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FDeray-1978-Un%2520papillon%2520sur%2520l_epaule%2FNicoleGarciaetLinoVentura1978.mp4" height="374" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisateur : &lt;span style="font-weight: bold;"&gt;Jacques Deray&lt;/span&gt;&lt;br /&gt;Scénario : Jacques Deray, Jean-Claude Carrière et Tonino Guerra, d'après le roman &lt;span style="font-style: italic;"&gt;The Velvet Wel&lt;/span&gt;l de &lt;span style="font-weight: bold;"&gt;John Gearon&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/?action=view&amp;amp;current=papillon_epaule-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/papillon_epaule-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:180%;" &gt;Lino Ventura&lt;/span&gt; : Roland Fériaud&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_3.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 380px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_3.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_4.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_4.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 380px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);font-size:130%;" &gt;Nicole Garcia&lt;/span&gt; : Sonia&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/nicole_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 380px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/nicole_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/nicole_3.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/nicole_3.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/nicole_4.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/nicole_4.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/nicole_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 380px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/nicole_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Claudine Auger&lt;/span&gt; : la femme à l'imperméable&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/?action=view&amp;amp;current=papillon_epaule-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/papillon_epaule-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Paul Crauchet : Raphaël&lt;br /&gt;Jean Bouise : le docteur&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/?action=view&amp;amp;current=papillon_epaule-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/papillon_epaule-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Laura Betti : Madame Carrabo&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/?action=view&amp;amp;current=papillon_epaule-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/papillon_epaule-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Roland Bertin : le haut fonctionnaire&lt;br /&gt;Xavier Depraz : Miguel Carrabo&lt;br /&gt;Dominique Lavanant : la jeune femme&lt;br /&gt;José Lifante : Commissaire&lt;br /&gt;Jacques Maury : Goma&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/?action=view&amp;amp;current=papillon_epaule-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/papillon_epaule-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Après un long séjour en mer, Roland Fériaud débarque à Barcelone où sa femme qu'il n'a pas vu depuis longtemps doit venir le rejoindre. A l'hôtel, dans la chambre voisine de la sienne, Fériaud découvre un cadavre avant d'être assommé. Il se réveille dans une étrange clinique et tente de se souvenir de ce qui s'est passé bien qu'un curieux médecin lui parle d'hallucinations. Quelques jours plus tard, Fériaud acquiert la preuve qu'il n'a pas rêvé. De plus en plus intrigué, il mène sa propre enquête et rencontre plusieurs personnes apparemment mêlées à son affaire.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_5.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_5.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_6.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/lino_6.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;C'est alors que sa femme, Sonia, arrive. Fériaud tente de lui cacher la vérité mais elle est enlevée et il est contraint pour la retrouver de remettre à des inconnus la mystérieuse valise qu'il vient de récupérer dans une consigne. Le Consul de France qu'ils ont contacté, en dernier recours, leur conseille de tout oublier. Fériaud accompagne Sonia à la gare puis s'apprête à regagner son bateau quand il est abattu en pleine rue...&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/?action=view&amp;amp;current=papillon_epaule-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/papillon_epaule-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;DivX 5,0 | 656x384 pixels | Mp3 | 730 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2102001625/deray_78_pillon_epaule.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2350866487/deray_78_pillon_epaule.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/99336432/deray_78_pillon_epaule.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1349285856/deray_78_pillon_epaule.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1978-Un%20papillon%20sur%20l_epaule/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Nicole%20Garcia/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Nicole Garcia&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Nicole%20Garcia/nicole_garcia_016a.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 935px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Nicole%20Garcia/nicole_garcia_016a.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-7670262851531166398?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/7670262851531166398/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=7670262851531166398&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7670262851531166398'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7670262851531166398'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/deray-1978-un-papillon-sur-lepaule.html' title='Deray-1978-Un papillon sur l&apos;épaule'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-1297225123671560513</id><published>2012-02-07T13:13:00.002-05:00</published><updated>2012-02-08T12:13:42.974-05:00</updated><title type='text'>Devinez à quoi il sert</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://img180.imageshack.us/img180/7246/appicon.gif"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 193px; height: 256px;" src="http://img180.imageshack.us/img180/7246/appicon.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img180.imageshack.us/img180/7246/appicon.gif"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 193px; height: 256px;" src="http://img180.imageshack.us/img180/7246/appicon.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://img180.imageshack.us/img180/7246/appicon.gif"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 193px; height: 256px;" src="http://img180.imageshack.us/img180/7246/appicon.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://img180.imageshack.us/img180/7246/appicon.gif"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 193px; height: 256px;" src="http://img180.imageshack.us/img180/7246/appicon.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;--&amp;gt; &lt;a href="http://7zx.softonic.fr/mac/telecharger"&gt;Mac&lt;/a&gt; &amp;lt;-- --&amp;gt; &lt;a href="http://www.7-zip.org/"&gt;Win&lt;/a&gt; &amp;lt;-- &lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-1297225123671560513?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/1297225123671560513/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=1297225123671560513&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/1297225123671560513'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/1297225123671560513'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/devinez-quoi-il-sert.html' title='Devinez à quoi il sert'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-8125944529597393154</id><published>2012-02-06T07:59:00.002-05:00</published><updated>2012-02-06T08:25:57.927-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Deray'/><category scheme='http://www.blogger.com/atom/ns#' term='1970-79'/><title type='text'>Deray-1977-Le gang</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le-gang-a01.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le-gang-a01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Le gang&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;1977 - 1hre 40&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;Generic MPEG-4 | 688x416 pixels | Mp3 | 995 Mo&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le_ganf_aff_2.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 742px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le_ganf_aff_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Le gang&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;1977 - 1hre 40&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/cQyv-ka2HgE" allowfullscreen="" frameborder="0" height="471" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Jacques Deray&lt;/span&gt;&lt;br /&gt;Scénaristes : Roger Borniche, Alphonse Boudard, Jean-Claude Carrière, d'après l'œuvre de Roger Borniche&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/?action=view&amp;amp;current=le_gang-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le_gang-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Alain Delon&lt;/span&gt; : Robert, dit "le dingue"&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/?action=view&amp;amp;current=le_gang-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le_gang-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Nicole Calfan&lt;/span&gt; : Marinette&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Adalberto Maria Merli : Manu&lt;br /&gt;Maurice Barrier : Lucien, dit "Le Mammouth"&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/?action=view&amp;amp;current=le_gang-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le_gang-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Xavier Depraz : Jo&lt;br /&gt;Roland Bertin : Raymond&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Raymond Bussières&lt;/span&gt; : Cornélius&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/?action=view&amp;amp;current=le_gang-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le_gang-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Laura Betti : Félicia&lt;br /&gt;Giampiero Albertini : Léon&lt;br /&gt;Catherine Lachens : Janine&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/?action=view&amp;amp;current=le_gang-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le_gang-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Gilette Barbier&lt;br /&gt;Agnès Château : la femme de Raymond&lt;br /&gt;Dominique Davray : La prostituée&lt;br /&gt;Anne Jousset : une amie de Janine&lt;/span&gt;&lt;br /&gt;...&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/?action=view&amp;amp;current=le_gang-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le_gang-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;A la fin de la guerre, cinq amis se retrouvent pour former un gang redoutable. Robert dit "le dingue", prend la direction des opérations et organise minutieusement tous les coups. Avec ses complices, Jo, rescapé d'un camp de concentration, Lucien, ex-membre de la Gestapo, Manu, séducteur invétéré et Raymond, virtuose de l'automobile, il commet alors hold-up sur hold-up et bientôt les poches pleines, les cinq hommes peuvent mener grande vie, dans les endroits à la mode. C'est dans l'un de ces établissements que Robert rencontre Marinette et s'éprend d'elle. La jeune fille abandonne aussitôt son travail et toute la bande va s'installer à la campagne, chez l'accueillant Cornélius dont l'auberge n'attire pas les regards.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-05.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 390px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_le_gang-05.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;A la suite d'un "braquage" commis à la gare de l'Est, Robert n'échappe que d'extrême justesse à ses poursuivants, mais il est pris dans une rafle et ne parvient à s'enfuir qu'après avoir menacé tout le commissariat avec une mitraillette saisie opportunément. A quelques temps de là, prévenue par des indicateurs, la police assiège la maison de Cornélius. Aucun des bandits n'est pourtant arrêté à cette occasion, mais, un peu plus tard, victime d'une de ses fanfaronnades, Robert se fait mortellement blesser chez un bijoutier et ses compagnons décident de l'enterrer discrètement après avoir assisté, impuissants, à son agonie.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/?action=view&amp;amp;current=le_gang-07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/le_gang-07.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 688x416 pixels | Mp3 | 995 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3306337463/deray_77_gang.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/800066940/deray_77_gang.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/605703019/deray_77_gang.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/604284030/deray_77_gang.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1123017006/deray_77_gang.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3656692310/deray_77_gang.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; Imagerie&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/gang-1977-07-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/gang-1977-07-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://www.mediafire.com/?f3r0s07zygwlj"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Nicole Calfan&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_00.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1977-Le%20gang/nicole_calfan_00.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://www.mediafire.com/imgbnc.php/2492393ef17095e1ddf92ddd5265f11a13ede9035f666a26984f3de182f2acd66g.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:100%;" src="http://www.mediafire.com/imgbnc.php/2492393ef17095e1ddf92ddd5265f11a13ede9035f666a26984f3de182f2acd66g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/imgbnc.php/c35d3b093f7eaac3fa8fe17f2a0c5998ad7ed656b030ad4f1d84276b5761d55f6g.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:100%;" src="http://www.mediafire.com/imgbnc.php/c35d3b093f7eaac3fa8fe17f2a0c5998ad7ed656b030ad4f1d84276b5761d55f6g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-8125944529597393154?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/8125944529597393154/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=8125944529597393154&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/8125944529597393154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/8125944529597393154'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/deray-1977-le-gang.html' title='Deray-1977-Le gang'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/cQyv-ka2HgE/default.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-7505510793734710457</id><published>2012-02-06T06:08:00.003-05:00</published><updated>2012-02-06T06:12:58.999-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='BD'/><title type='text'>Blues46</title><content type='html'>&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entete_a.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 270px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entete_a.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entete_ab.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 894px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entete_ab.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Blues46&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;2 albums&lt;/blockquote&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entre-1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 712px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entre-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;Blues46&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/tomes_1_2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 447px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/tomes_1_2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;--&amp;gt; &lt;a href="https://www.rapidshare.com/files/2076325579/bd_blues_46.zip"&gt;&lt;span style="font-family: times new roman;font-size:85%;" &gt;JPG | 38 Mo&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/pieddnvnuwv.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 894px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/pieddnvnuwv.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-7505510793734710457?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/7505510793734710457/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=7505510793734710457&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7505510793734710457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7505510793734710457'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/blues46.html' title='Blues46'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/th_entete_a.png' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-2724530096148254552</id><published>2012-02-05T07:32:00.003-05:00</published><updated>2012-02-05T07:39:27.757-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><title type='text'>Iconographie de la dynastie des capétiens</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/1108TriomphedeLouisVImythedsleXVminiaturefinXV.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 868px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/1108TriomphedeLouisVImythedsleXVminiaturefinXV.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Iconographie de la dynastie des capétiens&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;font-size:85%;" &gt;198 JPG | 630 Mo&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/1148LescroissmettentlesigedevantDamasminiaturedelafinduXV.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 583px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/1148LescroissmettentlesigedevantDamasminiaturedelafinduXV.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Iconographie de la dynastie des capétiens&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/13171322LeroiPhilippeVsurveillelarentredesimpts-miniatureduXV.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 680px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/13171322LeroiPhilippeVsurveillelarentredesimpts-miniatureduXV.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;198 JPG | 630 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2022714119/capetiens.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1401139997/capetiens.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3849094715/capetiens.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1287238616/capetiens.zip.004&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/12o4_gisant_d_alisaanor_d_aquitaine.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 272px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/12o4_gisant_d_alisaanor_d_aquitaine.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/la_main_de_justice.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 534px; height: 2927px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/la_main_de_justice.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-2724530096148254552?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/2724530096148254552/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=2724530096148254552&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/2724530096148254552'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/2724530096148254552'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/iconographie-de-la-dynastie-des.html' title='Iconographie de la dynastie des capétiens'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i664.photobucket.com/albums/vv9/francomac123/Art/th_1108TriomphedeLouisVImythedsleXVminiaturefinXV.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-1917891529201405688</id><published>2012-02-05T05:53:00.000-05:00</published><updated>2012-02-05T06:03:50.497-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Sacha Guitry'/><category scheme='http://www.blogger.com/atom/ns#' term='1950-59'/><title type='text'>Guitry-1950-Le trésor de Cantenac+Bonus</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/original_452838.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 672px; height: 895px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/original_452838.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-style: italic; color: rgb(102, 204, 204); font-weight: bold; font-family:verdana;font-size:130%;"  &gt;Le trésor de Cantenac&lt;/span&gt;&lt;br /&gt;1950 - 1hre 36&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;DivX 5,0 | 720x540 pixels | Mp3 @224 Kbps | 1,4 Go&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/sacha_guitry_logo.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 553px; height: 163px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/sacha_guitry_logo.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-style: italic; color: rgb(102, 204, 204); font-weight: bold; font-family:verdana;font-size:130%;"  &gt;Le trésor de Cantenac&lt;/span&gt;&lt;br /&gt;1950 - 1hre 36&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FGuitry-1950-Le%2520tresor%2520de%2520Cantenac%2FLanaMarconi1949.mp4" height="490" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisateur: &lt;span style="font-weight: bold;"&gt;Sacha Guitry &lt;/span&gt;&lt;br /&gt;Assistant réalisateur: François Gir&lt;br /&gt;Scénariste &amp;amp; Dialoguiste: Sacha Guitry&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/?action=view&amp;amp;current=tresor_cantenac-09.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-09.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/01-guitry_cantenac.jpg"&gt;&lt;/a&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sacha Guitry&lt;/span&gt; : le baron de Cantenac et le conteur&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/?action=view&amp;amp;current=tresor_cantenac-07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-07.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Lana Marconi&lt;/span&gt; : Virginie Lacassagne&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/?action=view&amp;amp;current=tresor_cantenac-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Michel Lemoine : Paul Pidoux&lt;br /&gt;Marcel Simon : le centenaire&lt;br /&gt;René Génin : le maire et le curé&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pauline Carton&lt;/span&gt; : Eulalie, la bonne du curé&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/?action=view&amp;amp;current=tresor_cantenac-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;Jeanne Fusier-Gir : Mme Lacassagne, la mercière&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/?action=view&amp;amp;current=tresor_cantenac-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Fernand René : Anselme Fortune, le poivrot&lt;br /&gt;Roger Legris : l'idiot du village&lt;br /&gt;Milly Mathis : Madeleine, la patronne du café&lt;br /&gt;Paul Demange : Jean, le mari de Madeleine&lt;br /&gt;Henry Laverne : Pierre, l'amant de Madeleine&lt;br /&gt;Solange Varenne : Sidonie, la bergère&lt;br /&gt;Claire Brilletti : Blanche, la nourrice&lt;br /&gt;Maximilienne : Blandine, la petite-fille du centenaire&lt;br /&gt;Germaine Duard : Marie, la servante du baron&lt;/span&gt;&lt;br /&gt;...&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/?action=view&amp;amp;current=tresor_cantenac-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Film d'un genre nouveau où l'auteur raconte tout ce qu'on voit sur l'écran. Des familles du village de Cantenac nous sont présentées : le maire anticlérical et son frère le curé, une jeune fille trop belle et dédaignée, un idiot et une famille comportant 6 générations, de 126 ans à 18 mois. L'ancêtre connaît un trésor qu'il ne dévoilera qu'au jour de sa mort.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-10.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 490px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-10.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;C'est qu'il appartient aux Seigneurs de Cantenac doht le dernier héritier, avant de se suicider, se fait connaître des villageois. Le vieillard lui découvre son trésor et le Comte de Cantenac décide d'en doter les habitants et de reconstruire son château. Il le fera habiter par la belle jeune fîlle et son fiancé en qui il croit retrouver les traits de ses ancêtres qui, dit-il discrètement, aimaient beaucoup les gens de leur village.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/?action=view&amp;amp;current=tresor_cantenac-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/05-guitry_cantenac.jpg"&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;DivX 5,0 | 720x540 pixels | Mp3 @224 Kbps | 1,4 Go&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4005511435/guitry_50_tresor_x.zip.001&lt;br /&gt;https://www.rapidshare.com/files/1155733537/guitry_50_tresor_x.zip.002&lt;br /&gt;https://www.rapidshare.com/files/2837738577/guitry_50_tresor_x.zip.003&lt;br /&gt;https://www.rapidshare.com/files/4282913135/guitry_50_tresor_x.zip.004&lt;br /&gt;https://www.rapidshare.com/files/1454891115/guitry_50_tresor_x.zip.005&lt;br /&gt;https://www.rapidshare.com/files/2180353424/guitry_50_tresor_x.zip.006&lt;br /&gt;https://www.rapidshare.com/files/1017222773/guitry_50_tresor_x.zip.007&lt;br /&gt;https://www.rapidshare.com/files/3366971926/guitry_50_tresor_x.zip.008&lt;br /&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/?action=view&amp;amp;current=tresor_cantenac-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/tresor_cantenac-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style=" font-weight: bold; font-style: italic;font-family:times new roman;" &gt;Les joueurs de cartes de Paul Cézanne&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://ujuo.org/wp-content/uploads/HLIC/ff2814402646c8d87a37ef46b1cefda8.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 490px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/brnscard.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold;"&gt;Les Suppléments&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/ouCRUnjmNV0ZhJ8CPGh40yN96pb.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1950-Le%20tresor%20de%20Cantenac/ouCRUnjmNV0ZhJ8CPGh40yN96pb.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;Guitry et la critique&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style="font-weight: bold;"&gt;La vieille France&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;330 Mo&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/166036135/guitry_50_tresor_s.zip.001&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/4093841021/guitry_50_tresor_s.zip.002&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://image.toutlecine.com/photos/g/u/i/guitry-sacha-05-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://image.toutlecine.com/photos/g/u/i/guitry-sacha-05-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-1917891529201405688?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/1917891529201405688/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=1917891529201405688&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/1917891529201405688'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/1917891529201405688'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2011/06/guitry-1950-le-tresor-de-cantenac.html' title='Guitry-1950-Le trésor de Cantenac+Bonus'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/th_original_452838.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-4280168860332832328</id><published>2012-02-04T09:10:00.003-05:00</published><updated>2012-02-04T10:03:52.944-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Film noir'/><category scheme='http://www.blogger.com/atom/ns#' term='1940-49'/><title type='text'>Stahl-1945-Leave Her to Heaven</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/leave_her_to_heaven_ver3_xlg.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/leave_her_to_heaven_ver3_xlg.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche_mortel_entete.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 97px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche_mortel_entete.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/leaveherforheaven.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/leaveherforheaven.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Leave Her to Heaven&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Péché mortel&lt;/span&gt;&lt;br /&gt;1945 - 1hre 55 - VoStFr incrustés&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FStahl-1945-Leave%2520Her%2520to%2520Heaven%2FGeneTierneyetVincentPrice.mp4" height="490" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisateur: &lt;span style="font-weight: bold;"&gt;John M. Stahl &lt;/span&gt;&lt;br /&gt;Assistants réalisateur: Joseph Behm et Otto Brower&lt;br /&gt;Scénariste: Jo Swerling&lt;br /&gt;Auteur de l'oeuvre originale: Ben Ames Williams&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche_mortel-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche_mortel-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Gene Tierney&lt;/span&gt; : Helen Berent&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/gene_tierney-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 490px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/gene_tierney-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/gene_tierney-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/gene_tierney-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/gene_tierney-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/gene_tierney-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/gene_tierney-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 490px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/gene_tierney-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Cornel Wilde : Richard Harland&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche_mortel-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche_mortel-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Jeanne Crain&lt;/span&gt; : Ruth Berent&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche_mortel-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche_mortel-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Vincent Price&lt;/span&gt; : Russell Quinton&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche_mortel-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche_mortel-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Mary Philips : Mme Berent&lt;br /&gt;Ray Collins : Glen Robie&lt;br /&gt;Darryl Hickman : Danny Harland&lt;br /&gt;Chill Wills : Leick Thome&lt;br /&gt;Gene Lockhart : Le docteur Saunders&lt;br /&gt;Reed Hadley : Le docteur Mason&lt;br /&gt;Paul Everton : Le juge&lt;br /&gt;Harry Depp : Catterson&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche_mortel-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche_mortel-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Un homme rentre chez lui après plusieurs années d'emprisonnement. Au bord du lac proche de sa demeure, il voit se dérouler à nouveau les circonstances qui officiellement ont fait de lui un criminel. Il assiste à son mariage avec Ellen, dont la jalousie devint rapidement monstrueuse. Il revoit sa femme, ne tolérant pas qu'il s'intéresse à qui que ce soit, provoquant la mort de son beau-frère, tuant l'enfant qu'elle devait mettre au monde, se suicidant enfin dans de telles circonstances que lui-même devait être accusé avec sa belle-sœur. Ce cauchemar évoqué, l'homme retrouve cette dernière qui l'attend.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche_mortel-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche_mortel-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 640x480 pixels | Mp3 | 430 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2024694323/noir_45_peche_mortel.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1751424810/noir_45_peche_mortel.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/992177346/noir_45_peche_mortel.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche-mortel-1945-07-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/peche-mortel-1945-07-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche-mortel-1945-06-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_peche-mortel-1945-06-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche-mortel-1945-05-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_peche-mortel-1945-05-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche-mortel-1945-04-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_peche-mortel-1945-04-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche-mortel-1945-02-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_peche-mortel-1945-02-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche-mortel-1945-01-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_peche-mortel-1945-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=peche-mortel-45-nb-01-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_peche-mortel-45-nb-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=Annex-TierneyGeneLeaveHertoHeaven_NRFPT_01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_Annex-TierneyGeneLeaveHertoHeaven_NRFPT_01.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=Annex-TierneyGeneLeaveHertoHeaven_03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_Annex-TierneyGeneLeaveHertoHeaven_03.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=Annex-TierneyGeneLeaveHertoHeaven_02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_Annex-TierneyGeneLeaveHertoHeaven_02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/pch-mortel-wallpaper_43543_5636.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/pch-mortel-wallpaper_43543_5636.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=pch-mortel-wallpaper_43545_5636.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_pch-mortel-wallpaper_43545_5636.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=pch-mortel-wallpaper_43544_5636.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_pch-mortel-wallpaper_43544_5636.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/?action=view&amp;amp;current=pch-mortel-wallpaper_43546_5636.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/th_pch-mortel-wallpaper_43546_5636.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/pch-mortel-wallpaper_43542_5636.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Stahl-1945-Leave%20Her%20to%20Heaven/pch-mortel-wallpaper_43542_5636.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Gene Tierney&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/41-Gene_Tierney_laura.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/41-Gene_Tierney_laura.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Jeanne%20Crain/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Jeanne Crain&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Jeanne%20Crain/Jeanne_Crain-33.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Jeanne%20Crain/Jeanne_Crain-33.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-4280168860332832328?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/4280168860332832328/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=4280168860332832328&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/4280168860332832328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/4280168860332832328'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/stahl-1945-leave-her-to-heaven.html' title='Stahl-1945-Leave Her to Heaven'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-8215202427816993228</id><published>2012-02-04T05:29:00.002-05:00</published><updated>2012-02-04T06:11:41.905-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Film noir'/><category scheme='http://www.blogger.com/atom/ns#' term='1940-49'/><title type='text'>Ulmer-1945-Detour</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/Poster-Detour1945_01.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/Poster-Detour1945_01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/detour_entete.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 87px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/detour_entete.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/Poster-Detour1945_02.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 1588px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/poster_-_detour__1945__02_650.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Detour&lt;/span&gt;&lt;br /&gt;1945 - 1hre 07 - VoStFr incrustés&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FUlmer-1945-Detour%2FAnnSavageetTomNeal.mp4" height="471" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisateur: &lt;span style="font-weight: bold;"&gt;Edgar G. Ulmer &lt;/span&gt;&lt;br /&gt;Assistant réalisateur: William A. Calihan&lt;br /&gt;Auteur de l'oeuvre originale: Martin Goldsmith&lt;br /&gt;Adaptateur: Martin Goldsmith&lt;br /&gt;Dialoguiste: Ben Coleman&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=detour-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/detour-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;Tom Neal : Al Roberts&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=detour-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/detour-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Ann Savage&lt;/span&gt; : Vera&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/ann_savage_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 480px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/ann_savage_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/ann_savage_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/ann_savage_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/ann_savage_3.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/ann_savage_3.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Claudia Drake : Sue Harvey&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=detour-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/detour-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Edmund MacDonald : Charles Haskell Jr&lt;br /&gt;Tim Ryan : le propriétaire du Nevada Diner&lt;br /&gt;Esther Howard : Holly, serveuse&lt;br /&gt;Pat Gleason : Joe, le camionneur&lt;br /&gt;Don Brodie : le vendeur de voitures d'occasion&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=detour-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/detour-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Al Roberts, pianiste dans une boîte de nuit de New York, aime Sue, la chanteuse, et veut l'épouser. Mais Sue, refusant la vie minable qui s'offre à eux, lui annonce qu'elle part pour Hollywood. Là-bas elle sera serveuse ; fauché. Al décide d'aller la rejoindre en auto-stop. Haskell, un book de Miami, le prend dans sa voiture ; sa main porte les traces des griffes d'une autostoppeuse récalcitrante. Voulant dormir, Haskell confie le volant à Al et meurt pendant son sommeil. Affolé, Al cache le cadavre et endosse, avec le costume, l'identité d'Haskell.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=detour-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/detour-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Le lendemain, il prend à son bord Vera : c'était elle l'auto-stoppeuse. Sachant donc qu'il n'est pas Haskell, elle l'accuse d'avoir tué ce dernier ; cependant elle se taira si Al suit son plan : vendre la voiture et empocher la somme. Arrivés à Los Angeles, enfermés dans un motel, Vera apprenant qu'Haskell est l'héritier d'un millionnaire mourant, décide que Al devra se faire passer pour lui et capter l'héritage. Al refuse, Vera s'enferme et décroche le téléphone pour le dénoncer à la police ; Al tente d'arracher le fil du téléphone. Mais celui-ci s'enroule autour du cou de Vera, qui meurt étranglée. Al est devenu un assassin.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=detour-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/detour-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;Generic MPEG-4 | 692x512 pixels | Mp3 | 550 Mo&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/2091699393/noir_45_detour.zip.001&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/982833539/noir_45_detour.zip.002&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/1829530130/noir_45_detour.zip.003&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/Annex-SavageAnnDetour_NRFPT_01.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/Annex-SavageAnnDetour_NRFPT_01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=detour4.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/th_detour4.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=Annex-SavageAnnDetour_NRFPT_02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/th_Annex-SavageAnnDetour_NRFPT_02.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=detour-1945-01-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/th_detour-1945-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=Poster-Detour1945_04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/th_Poster-Detour1945_04.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=Poster-Detour1945_03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/th_Poster-Detour1945_03.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=post2-l.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/th_post2-l.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=Poster-Detour1945_06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/th_Poster-Detour1945_06.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/?action=view&amp;amp;current=Poster-Detour1945_05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/th_Poster-Detour1945_05.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/Annex-SavageAnnDetour_01.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1945-Detour/Annex-SavageAnnDetour_01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Ann%20Savage/"&gt;Ann Savage&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Ann%20Savage/Ann_Savage-05.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Ann%20Savage/Ann_Savage-05.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-8215202427816993228?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/8215202427816993228/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=8215202427816993228&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/8215202427816993228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/8215202427816993228'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/ulmer-1945-detour.html' title='Ulmer-1945-Detour'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-5839382081452522309</id><published>2012-02-03T16:25:00.000-05:00</published><updated>2012-02-03T16:26:22.185-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Musique'/><title type='text'>Beatles-Complete Lyrics</title><content type='html'>&lt;a title="View Beatles-Complete Lyrics on Scribd" href="http://www.scribd.com/doc/80415071/Beatles-Complete-Lyrics" style="margin: 12px auto 6px auto; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; -x-system-font: none; display: block; text-decoration: underline;"&gt;Beatles-Complete Lyrics&lt;/a&gt; &lt;object id="doc_51723" name="doc_51723" type="application/x-shockwave-flash" data="http://d1.scribdassets.com/ScribdViewer.swf" style="outline:none;" height="800" width="100%"&gt;            &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt;             &lt;param name="wmode" value="opaque"&gt;             &lt;param name="bgcolor" value="#ffffff"&gt;             &lt;param name="allowFullScreen" value="true"&gt;             &lt;param name="allowScriptAccess" value="always"&gt;             &lt;param name="FlashVars" value="document_id=80415071&amp;amp;access_key=key-1mxi8ey5chkl9opd926n&amp;amp;page=1&amp;amp;viewMode=list"&gt;             &lt;embed id="doc_51723" name="doc_51723" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=80415071&amp;amp;access_key=key-1mxi8ey5chkl9opd926n&amp;amp;page=1&amp;amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" wmode="opaque" bgcolor="#ffffff" height="800" width="100%"&gt;&lt;/embed&gt;         &lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-5839382081452522309?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/5839382081452522309/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=5839382081452522309&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/5839382081452522309'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/5839382081452522309'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/beatles-complete-lyrics.html' title='Beatles-Complete Lyrics'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-5319841349328454311</id><published>2012-02-03T14:01:00.002-05:00</published><updated>2012-02-03T14:34:36.532-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Deray'/><category scheme='http://www.blogger.com/atom/ns#' term='1970-79'/><title type='text'>Deray-1975-Flic Story</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story_aff_1.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 717px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story_aff_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Flic Story&lt;/span&gt;&lt;br /&gt;1975 - 1hre 50&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 512x304 pixels | Mp3  690 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-02.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 385px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-01-10-1975-1-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 686px; height: 922px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-01-10-1975-1-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Flic Story&lt;/span&gt;&lt;br /&gt;1975 - 1hre 50&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/EYd0_DNtDms" allowfullscreen="" frameborder="0" height="471" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Jacques Deray&lt;/span&gt;&lt;br /&gt;Scénario : Alphonse Boudard et Jacques Deray&lt;br /&gt;D'après son roman de: Roger Borniche&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jean-Louis Trintignant&lt;/span&gt; : Émile Buisson&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic_story-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Alain Delon&lt;/span&gt; : Inspecteur Roger Borniche&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic_story-09.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-09.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Claudine Auger&lt;/span&gt; : Catherine&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-06.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 385px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-06.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-07.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-07.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-08.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-08.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Renato Salvatori&lt;/span&gt; : Mario Poncini dit Mario le Rital&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic_story-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Maurice Barrier : René Bollec&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic_story-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Françoise Dorner : Suzanne Bollec&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic_story-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Maurice Biraud : le patron de l'hôtel Saint-Appoline&lt;br /&gt;André Pousse : Jean-Baptiste Buisson&lt;br /&gt;Mario David : Raymond Pelletier&lt;br /&gt;Paul Crauchet : Paul Robier dit Paulo le Bombé&lt;br /&gt;Denis Manuel : Inspecteur Lucien Darros&lt;br /&gt;Marco Perrin : Commissaire Vieuchêne&lt;br /&gt;Henri Guybet : Inspecteur Hidoine&lt;br /&gt;William Sabatier : Ange&lt;br /&gt;Adolfo Lastretti : Jeannot&lt;br /&gt;Frédérique Meininger : Mado&lt;br /&gt;Giampiero Albertini : Marcel&lt;br /&gt;Catherine Lachens : Jenny&lt;br /&gt;Lionel Vitrant : Un gendarme&lt;br /&gt;Christine Boisson : Jocelyne&lt;br /&gt;Rossana Di Lorenzo : Marie&lt;br /&gt;Jacques Marin : Patron de l'Auberge&lt;br /&gt;Annick Berger : Patronne de l'Auberge&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-1975-01-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-1975-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;L'après-guerre. En ce jour de 1947, l'inspecteur Borniche de la Sécurité Nationale est chargé par son supérieur, le commissaire Vieuxchêne, de retrouver Emile Buisson, à l'impressionnant palmarès criminel, qui vient de s'évader de l'asile psychiatrique de Villejuif. Lequel Buisson ne reste pas longtemps inactif: le meurtre de Fredo l'Accordéoniste qui l'avait "donné" autrefois, un hold-up dans un restaurant huppé qui se termine par une poursuite meurtrière dans Paris remettent le bandit au premier plan de l'actualité. Par un "indic" vite assassiné, Borniche repère Buisson, mais celui-ci échappe au piège tendu. Ses complices (son frère, Jean-Baptiste, sa petite amie, Suzanne) se taisent obstinément. Une seconde souricière échoue. Excédé, Vieuxchêne retire l'affaire à Borniche.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-1975-06-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-1975-06-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Mais l'assassinat d'un certain Mario le Rital, soupçonné par Buisson de mouchardage, oblige le policier à poursuivre de nouveau l'ennemi public N° 1 qui continue ses exploits. En lui promettant des médicaments susceptibles de guérir sa femme, Borniche s'assure le concours de Paulo le Bombé. Par son entremise, Borniche fait installer Buisson dans une petite auberge des environs de Paris. Faisant fi des autorisations officielles, il s'y rend avec deux de ses hommes et avec son amie, Catherine. Au terme d'une mise en scène à laquelle le bandit se laisse prendre, Borniche arrête Buisson... Au cours des longs mois d'interrogatoire, une sorte d'estime mutuelle naîtra entre les deux hommes jusqu'à l'exécution d'Emile Buisson, des années plus tard, le 23 février 1956.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic_story-10.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic_story-10.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 512x304 pixels | Mp3 | 690 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3377189481/deray_75_flique_storie.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/409815724/deray_75_flique_storie.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1620773002/deray_75_flique_storie.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1389466750/deray_75_flique_storie.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-1975-05-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-1975-05-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic-story-1975-09-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/th_flic-story-1975-09-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic-story-1975-08-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/th_flic-story-1975-08-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic-story-1975-07-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/th_flic-story-1975-07-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic-story-1975-04-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/th_flic-story-1975-04-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic-story-1975-03-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/th_flic-story-1975-03-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic-story-1975-02-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/th_flic-story-1975-02-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic-story-1975-11-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/th_flic-story-1975-11-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic-story-1975-tou-01-1-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/th_flic-story-1975-tou-01-1-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/?action=view&amp;amp;current=flic-story-1975-tou-02-1-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/th_flic-story-1975-tou-02-1-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-1975-10-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1975-Flic%20Story/flic-story-1975-10-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Claudine%20Auger/"&gt;Claudine Auger&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Claudine%20Auger/claudine_auger_007-1.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 810px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Claudine%20Auger/claudine_auger_007_650.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-5319841349328454311?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/5319841349328454311/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=5319841349328454311&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/5319841349328454311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/5319841349328454311'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/deray-1975-flic-story.html' title='Deray-1975-Flic Story'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/EYd0_DNtDms/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-4655425670545208002</id><published>2012-02-03T05:25:00.003-05:00</published><updated>2012-02-03T05:52:23.718-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Voix de femmes'/><category scheme='http://www.blogger.com/atom/ns#' term='Musique'/><title type='text'>Voix de femmes 74 de ... Gloria Estefan</title><content type='html'>&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/63029193.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 729px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/63029193.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;/span&gt;&lt;blockquote&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;Gloria Estefan&lt;/span&gt;&lt;br /&gt;2 albums&lt;/blockquote&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria-estefan-9600.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 865px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria-estefan-9600.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/Front800-1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 655px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/Front800-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Gloria Estefan&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Mi Tierra&lt;/span&gt; (1993)&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/VzO13owr0PY" allowfullscreen="" frameborder="0" height="360" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/Back-3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 567px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/Back-3.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family: times new roman;font-size:85%;" &gt;Flac | 400 Mo&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;font-size:85%;" &gt;https://www.rapidshare.com/files/2311323137/teuse_glo_riz_a_s_stephane_93.zip.001&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: times new roman;font-size:85%;" &gt;https://www.rapidshare.com/files/1591073867/teuse_glo_riz_a_s_stephane_93.zip.002&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: times new roman;font-size:85%;" &gt;https://www.rapidshare.com/files/3000718479/teuse_glo_riz_a_s_stephane_93.zip.003&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria-estefan-9601.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 718px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria-estefan-9601.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria21.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 637px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria21.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria_1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 647px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria_1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Gloria Estefan&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Gloria!&lt;/span&gt; (1998)&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/mLng5djVkq8" allowfullscreen="" frameborder="0" height="471" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria34.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 500px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria34.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria06.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 973px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria06.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Flac | 630 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2604260667/teuse_glo_riz_a_s_stephane_98.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2611883643/teuse_glo_riz_a_s_stephane_98.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1253671836/teuse_glo_riz_a_s_stephane_98.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3715074070/teuse_glo_riz_a_s_stephane_98.zip.004&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/estefangloria017.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 406px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/estefangloria017.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 975px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria132f.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 495px; height: 566px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/gloria132f.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-4655425670545208002?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/4655425670545208002/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=4655425670545208002&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/4655425670545208002'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/4655425670545208002'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/voix-de-femmes-74-de-gloria-estefan.html' title='Voix de femmes 74 de ... Gloria Estefan'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/th_63029193.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-7750242357839378263</id><published>2012-02-03T05:03:00.000-05:00</published><updated>2012-02-03T05:16:56.382-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1960-69'/><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><title type='text'>1967-Guerre et Paix (DvD 5 de 5)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/geuure_paix.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 457px; height: 640px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/geuure_paix.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Guerre et Paix&lt;/span&gt;&lt;/span&gt;&lt;br style="font-weight: bold; font-style: italic;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Война и мир&lt;/span&gt;&lt;br /&gt;1963-1967 - 6hre 42 | VFr+StFr *&lt;br /&gt;H.264 (MKV) | 672x288 pixels | AC3&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;* &lt;span style="font-weight: bold; font-style: italic; color: rgb(0, 102, 0);font-size:85%;" &gt;J'ai inclus les sous-titres français pace que,&lt;br /&gt;et ce même sur le DVD d'origine,&lt;br /&gt;certains passages demeurent en Russe.&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/geuure_paix_2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 620px; height: 859px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/geuure_paix_2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Guerre et Paix&lt;/span&gt;&lt;/span&gt;&lt;br style="font-weight: bold; font-style: italic;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Война и мир&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;1963-1967 - 6hre 42 | VFr+StFr &lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Réalisé par &lt;span style="font-weight: bold;"&gt;Serge Bondartchouk&lt;/span&gt;&lt;br /&gt;Assistant réalisateur : Vladimir Dostal&lt;br /&gt;Scénario: Serge Bondartchouk et Vassili Soloviov d'après le roman  de &lt;span style="font-weight: bold;"&gt;Léon Tolstoï&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;Lioudmila Savelieva: Natacha Rostova&lt;br /&gt;Sergueï Bondartchouk: Pierre Bezoukhov&lt;br /&gt;Viatcheslav Tikhonov: prince André Bolkonski&lt;br /&gt;Victor Stanitsyne comte Ilya Rostov&lt;br /&gt;Kira Golovko : comtesse Rostova&lt;br /&gt;Oleg Tabakov : Nicolas Rostov&lt;br /&gt;Boris Smirnov : prince Kouraguine&lt;br /&gt;Vasily Lanovoy : Anatole Kouraguine&lt;br /&gt;Irina Skobtseva : Hélène Kouraguine Bezoukhov&lt;br /&gt;Anastasia Vertinskaïa : Liza Bolkonski&lt;br /&gt;Boris Zakhava : général Koutouzov&lt;br /&gt;Vladislav Strgeltchik : Napoléon Bonaparte&lt;br /&gt;Boris Khmelnitsky : aide de camp du père de Pierre Bézoukhov&lt;br /&gt;Vassili Soloviov : un canonnier&lt;br /&gt;+ 300 autres&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1805&lt;/span&gt; - Les hostilités entre la France d'un côté, l'Autriche et la Russie sont déclenchées, mais pour l'aristocratie, dans les grandes villes et à la cour, la vie continue avec ses mondanités et ses petits scandales. Le prince André Bolkonski rêve de gloire et s'engage dans l'armée du Tsar. Il est gravement blessé à la bataille d'Austerlitz...&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;1812&lt;/span&gt; - La grande armée de Napoléon Bonaparte envahit la Russie. La bataille de la Moskova est un carnage épique. Moscou est incendié. La retraite en hiver soumise aux attaques des Cosaques est un calvaire.&lt;br /&gt;Œuvre cinématographique monumentale, le film, d'une durée totale de 6 heures 42, est construit en quatre parties où tous les thèmes seront abordés (analyses psychologiques, éthiques, esthétiques, métaphysiques, géopolitiques, historiques) :&lt;br /&gt;&lt;ul&gt;&lt;li&gt;André Bolkonski&lt;/li&gt;&lt;li&gt;Natacha Rostova&lt;/li&gt;&lt;li&gt;1812&lt;/li&gt;&lt;li&gt;Pierre Bezoukhov&lt;/li&gt;&lt;/ul&gt;Par la hardiesse de sa forme, la richesse des thèmes abordés et la complexité de son architecture, le film constitue une véritable somme du langage cinématographique du xxe siècle, en même temps que l'une des œuvres majeures du cinéma mondial.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;DvD 1 - André Bolkonski&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;Chapitre 3&lt;br /&gt;&lt;embed 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href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/?action=view&amp;amp;current=guerre_paix_d2-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d2-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/?action=view&amp;amp;current=guerre_paix_d2-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d2-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/?action=view&amp;amp;current=guerre_paix_d2-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d2-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;1,7 Go&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/753626975/guerre_paix_67_d2.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2856859085/guerre_paix_67_d2.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2164804972/guerre_paix_67_d2.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2412644533/guerre_paix_67_d2.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/247212473/guerre_paix_67_d2.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2322922064/guerre_paix_67_d2.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1873756479/guerre_paix_67_d2.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3560645300/guerre_paix_67_d2.zip.008&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2169114493/guerre_paix_67_d2.zip.009&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;DVD 3 - 1812&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FGuerre%2520et%2520Paix%25201967%2Fguerre_paix_d3.mp4" height="292" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/?action=view&amp;amp;current=guerre_paix_d3_022.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d3_022.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/?action=view&amp;amp;current=guerre_paix_d3_018.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d3_018.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/?action=view&amp;amp;current=guerre_paix_d3_025.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d3_025.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/?action=view&amp;amp;current=guerre_paix_d3_026.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d3_026.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;1,4 Go&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/567752053/guerre_paix_67_d3.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3305390339/guerre_paix_67_d3.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1931222392/guerre_paix_67_d3.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4250181321/guerre_paix_67_d3.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3960834093/guerre_paix_67_d3.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/564295756/guerre_paix_67_d3.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1439360013/guerre_paix_67_d3.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2637654618/guerre_paix_67_d3.zip.008&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;DVD 4 - Pierre Bezoukhov&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FGuerre%2520et%2520Paix%25201967%2Fguerre_paix_d4.mp4" height="391" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d4-01.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 285px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d4-01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d4-04.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 285px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d4-04.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d4-02.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 285px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d4-02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d4-03.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 285px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/guerre_paix_d4-03.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;1,7 Go&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2535676425/guerre_paix_67_d4.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2260575397/guerre_paix_67_d4.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2359391702/guerre_paix_67_d4.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1642835658/guerre_paix_67_d4.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4051152410/guerre_paix_67_d4.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/991482118/guerre_paix_67_d4.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3090554845/guerre_paix_67_d4.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/929767666/guerre_paix_67_d4.zip.008&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1903956202/guerre_paix_67_d4.zip.009&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;DVD 5 - &lt;span style="font-size:130%;"&gt;Les suppléments&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/poster4warandpeace.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width:40%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/poster4warandpeace.jpg" alt="" border="0" /&gt;&lt;/a&gt;Interviews avec les créateurs du film&lt;br /&gt;• Anatoli Pétritski&lt;br /&gt;• Irina Skobtséva&lt;br /&gt;• Vassili Lanovoï&lt;br /&gt;• Viatcheslav Ovtchinnikov&lt;br /&gt;&lt;br /&gt;• Interviews avec Karen Chakhnazarov&lt;br /&gt;• Leon Tolstoï&lt;br /&gt;• Leon Tolstoï. Chroniques&lt;br /&gt;• Leon Tolstoï. Guerre et Paix&lt;br /&gt;• Pendant les tournages&lt;br /&gt;• Pendant les tournages 2&lt;br /&gt;• Pendant les tournages 3&lt;br /&gt;• Serguéi Bondartchouk&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;3 Go&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/89121671/guerre_paix_67_d5.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/543154698/guerre_paix_67_d5.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/4181025160/guerre_paix_67_d5.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/4093792101/guerre_paix_67_d5.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/2687509730/guerre_paix_67_d5.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/3391389747/guerre_paix_67_d5.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/4020443737/guerre_paix_67_d5.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/1398010544/guerre_paix_67_d5.zip.008&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/1109061196/guerre_paix_67_d5.zip.009&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/1593218624/guerre_paix_67_d5.zip.010&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/1914232232/guerre_paix_67_d5.zip.011&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/2983630029/guerre_paix_67_d5.zip.012&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/3254349197/guerre_paix_67_d5.zip.013&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/4223338116/guerre_paix_67_d5.zip.014&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/1223703466/guerre_paix_67_d5.zip.015&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/330944749/guerre_paix_67_d5.zip.016&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.scribd.com/fullscreen/2323585?access_key=key-10xejiapom7pgz269z7a"&gt;&lt;img style="cursor:pointer; cursor:hand;width:30%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/tome_1.png" alt="" border="0" /&gt;&lt;/a&gt; &lt;a href="http://www.scribd.com/fullscreen/2323588?access_key=key-64ftc1oexhnlnytl3q2"&gt;&lt;img style="cursor:pointer; cursor:hand;width:30%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/tome_2.png" alt="" border="0" /&gt;&lt;/a&gt; &lt;a href="http://www.scribd.com/fullscreen/2323589?access_key=key-26z8vbokwk47pgmoncqv"&gt;&lt;img style="cursor:pointer; cursor:hand;width:30%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guerre%20et%20Paix%201967/tome_3.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-7750242357839378263?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/7750242357839378263/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=7750242357839378263&amp;isPopup=true' title='11 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7750242357839378263'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7750242357839378263'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/1967-guerre-et-paix-dvd-1-de-5.html' title='1967-Guerre et Paix (DvD 5 de 5)'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>11</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-4960848081996462900</id><published>2012-02-02T13:31:00.005-05:00</published><updated>2012-02-02T14:03:23.636-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1960-69'/><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Deray'/><title type='text'>Deray-1963-Rififi à Tokyo</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/Rififiatokyo.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 857px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififiatokyo_650.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Rififi à Tokyo&lt;/span&gt;&lt;br /&gt;1963 - 1hre 40&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 656x384 | Mp3 | 990 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/RififiTokyoHJF.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/RififiTokyoHJF.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Rififi à Tokyo&lt;/span&gt;&lt;br /&gt;1963 - 1hre 40&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/9EPK_MfBg88" allowfullscreen="" frameborder="0" height="471" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Jacques Deray&lt;/span&gt;&lt;br /&gt;Scénario : Jacques Deray, &lt;span style="font-weight: bold;"&gt;José Giovanni&lt;/span&gt;, Rodolphe-Maurice Arlaud et &lt;span style="font-weight: bold;"&gt;Auguste Le Breton&lt;/span&gt; d’après son roman&lt;br /&gt;Dialogues : José Giovanni&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi_tokyo-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;Karlheinz Böhm : Carl Mersen&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi_tokyo-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Charles Vanel&lt;/span&gt; : Van Hekken&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi_tokyo-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;Barbara Lass&lt;/span&gt; : Françoise Merigne&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi_tokyo-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;Keiko Kishi &lt;/span&gt;: Asami&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-09.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 380px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-09.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Michel Vitold : Merigne&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi_tokyo-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Eiji Okada : Danny Riquet&lt;br /&gt;Masao Oda : Kan&lt;br /&gt;Dante Maggio&lt;br /&gt;Hideaki Suzuki&lt;br /&gt;Eijirô Yanagi : Ishimoto&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi_tokyo-07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-07.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Jacques Deray nous fait assister à la patiente préparation de l'attaque d'une banque. Van Hekkin veut y dérober le plus fameux diamant du monde, « le Titan », enfermé dans le coffre le plus secret de la Tokyo-Bank, constituée en véritable citadelle. Il a réuni autour de lui une bande d'aventuriers et de comparses dont il utilise les compétences et les renseignements et, surtout, il a fait venir de Paris un ingénieur, Mérigné, qui doit lui construire un émetteur à très haute fréquence capable de faire fondre la porte du coffre en détruisant son organisation moléculaire.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi_tokyo-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;L'un des hommes de main sur lequel comptait Van Hekkin est assassiné sauvagement par des gangsters japonais qui le considéraient comme un rival à liquider. Il est remplacé par Mersen qui veut venger son ami Riquet. Une passion s'ébauche entre Mersen et Françoise, la femme de Van Hekkin. L'aventure se déroule : les voleurs parviennent jusqu'au coffre dont la porte est désintégrée. Mais, au moment où Van Hekkin se saisit du fameux diamant, une herse de fer s'abat et le retient prisonnier. Un signal d'alarme, qu'il n'avait pas prévu, se déclenche. Tous s'enfuient et laissent Van Hekkin à son triste sort.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi_tokyo-08.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi_tokyo-08.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/franc3a7oise21.gif"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 250px; height: 216px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/franc3a7oise21.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 656x384 | Mp3 | 990 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2468706812/deray_63_fifi_tokyo.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3918449188/deray_63_fifi_tokyo.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/242439573/deray_63_fifi_tokyo.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2887439146/deray_63_fifi_tokyo.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2192705965/deray_63_fifi_tokyo.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4282490080/deray_63_fifi_tokyo.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi-a-tokyo-1962-04-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi-a-tokyo-1962-04-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi-a-tokyo-1962-12-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/th_rififi-a-tokyo-1962-12-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi-a-tokyo-1962-11-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/th_rififi-a-tokyo-1962-11-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi-a-tokyo-1962-09-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/th_rififi-a-tokyo-1962-09-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi-a-tokyo-1962-08-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/th_rififi-a-tokyo-1962-08-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi-a-tokyo-1962-07-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/th_rififi-a-tokyo-1962-07-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi-a-tokyo-1962-06-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/th_rififi-a-tokyo-1962-06-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi-a-tokyo-1962-05-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/th_rififi-a-tokyo-1962-05-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi-a-tokyo-1962-10-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/th_rififi-a-tokyo-1962-10-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/?action=view&amp;amp;current=rififi-a-tokyo-1962-03-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/th_rififi-a-tokyo-1962-03-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi-a-tokyo-1962-01-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi-a-tokyo-1962-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;Barbara Lass&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi-a-tokyo-1962-02-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/rififi-a-tokyo-1962-02-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;Keiko Kishi&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/keiko-kishi1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 649px; height: 1395px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Deray-1963-Rififi%20a%20Tokyo/keiko-kishi1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-4960848081996462900?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/4960848081996462900/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=4960848081996462900&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/4960848081996462900'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/4960848081996462900'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/deray-1963-rififi-tokyo.html' title='Deray-1963-Rififi à Tokyo'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/9EPK_MfBg88/default.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-984551160646496404</id><published>2012-02-01T10:53:00.003-05:00</published><updated>2012-02-01T11:24:42.599-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='1930-39'/><title type='text'>Ulmer-1934-Le chat noir</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/blackcat.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 1002px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/blackcat_650.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Le chat noir&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;The Black Cat&lt;/span&gt;&lt;br /&gt;1934 - 1hre 05 - VoStFr (.srt)&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;Generic MPEG-4 | 704x528 pixels | Mp3 | 700 Mo&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/blackcat_2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/blackcat_2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Le chat noir&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;The Black Cat&lt;/span&gt;&lt;br /&gt;1934 - 1hre 05 - VoStFr (.srt)&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/EiboFyW-cwE" allowfullscreen="" frameborder="0" height="491" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt; Réalisation : &lt;span style="font-weight: bold;"&gt;Edgar G. Ulmer&lt;/span&gt;&lt;br /&gt;Scénario : Edgar G. Ulmer et Peter Ruric d'après &lt;span style="font-weight: bold; color: rgb(153, 0, 0);"&gt;Edgar Allan Poe&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat_noir-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/chat_noir-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Boris Karloff&lt;/span&gt; : Hjalmar Poelzig&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat_noir-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/chat_noir-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Bela Lugosi&lt;/span&gt; : Dr. Vitus Werdegast&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat_noir-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/chat_noir-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;David Manners : Peter Alison&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat_noir-07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/chat_noir-07.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Jacqueline Wells (Julie Bishop)&lt;/span&gt; : Joan Alison&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/jacqueline_wells_0.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 654px; height: 498px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/jacqueline_wells_0.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/jacqueline_wells_3.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/jacqueline_wells_3.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/jacqueline_wells_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/jacqueline_wells_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/jacqueline_wells_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 490px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/jacqueline_wells_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Egon Brecher : Le Majordome&lt;br /&gt;Harry Cording : Thamal, domestique de Werdegast&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;Lucille Lund&lt;/span&gt; : Karen Werdegast Poelzig&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat_noir-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/chat_noir-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Henry Armetta : Sergent de Police&lt;br /&gt;Albert Conti : Lieutenant de Police&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat_noir-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/chat_noir-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Les Alison, jeune couple de mariés, choisissent l’Europe comme destination de leur voyage de noces. Dans le train, ils se voient contraints de partager leur compartiment avec le docteur Vitus Werdegast, rescapé d’un camp de prisonniers où il a été incarcéré durant plus de quinze ans. Le docteur va voir son vieil ami architecte Hjalmar Poelzig qui a bâti une somptueuse demeure sur un ancien champ de bataille. En cours de route, le bus que partagent Vitus et le couple est victime d’un terrible accident de la route. Ils se voient obligés de passer la nuit dans le château de l’étrange architecte…&lt;/span&gt;&lt;br style="font-style: italic;"&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat_noir-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/chat_noir-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 704x528 pixels | Mp3 | 700 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/906885139/ulmer_34_chanoir.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/219017895/ulmer_34_chanoir.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/674657094/ulmer_34_chanoir.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2910731928/ulmer_34_chanoir.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/BlackCatShadow.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/BlackCatShadow.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=the-black-cat-with-bride.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_the-black-cat-with-bride.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat-noir-1934-07-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_chat-noir-1934-07-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat-noir-1934-06-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_chat-noir-1934-06-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat-noir-1934-04-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_chat-noir-1934-04-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat-noir-1934-02-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_chat-noir-1934-02-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat-noir-1934-01-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_chat-noir-1934-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat-noir-1934-05-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_chat-noir-1934-05-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=chat-noir-1934-08-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_chat-noir-1934-08-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=le-chat-noir-wallpaper_360834_10319.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_le-chat-noir-wallpaper_360834_10319.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/chat-noir-1934-03-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/chat-noir-1934-03-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=tumblr_l6ehxgaYln1qz72v7o1_500.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_tumblr_l6ehxgaYln1qz72v7o1_500.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=tumblr_ktjtliSyV51qz72v7o1_500.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_tumblr_ktjtliSyV51qz72v7o1_500.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/?action=view&amp;amp;current=blackcat-1.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Ulmer-1934-Le%20chat%20noir/th_blackcat-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Jacqueline%20Wells-Julie%20Bishop/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Jacqueline Wells-Julie Bishop&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Jacqueline%20Wells-Julie%20Bishop/JacquelineWells-JulieBishop-06.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Jacqueline%20Wells-Julie%20Bishop/JacquelineWells-JulieBishop-06.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-984551160646496404?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/984551160646496404/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=984551160646496404&amp;isPopup=true' title='3 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/984551160646496404'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/984551160646496404'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/ulmer-1934-le-chat-noir.html' title='Ulmer-1934-Le chat noir'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/EiboFyW-cwE/default.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-7039614900506558695</id><published>2012-02-01T06:48:00.003-05:00</published><updated>2012-02-01T07:11:54.227-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Calef'/><category scheme='http://www.blogger.com/atom/ns#' term='1940-49'/><title type='text'>Calef-1948-Les eaux troubles</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/les-eaux-troubles-affiche_1.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/les-eaux-troubles-affiche_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Les eaux troubles&lt;/span&gt;&lt;br /&gt;1948 - 1hre 35&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;Generic MPEG-4 | 720x576 pixels | Mp3 | 1,15 Go&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-02.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 520px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_tr_aff-25.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_tr_aff-25.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_tr_aff25.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_tr_aff25.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Les eaux troubles&lt;/span&gt;&lt;br /&gt;1948 - 1hre 35&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/7w2sLHNv9Bw" allowfullscreen="" frameborder="0" height="520" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisateur: &lt;span style="font-weight: bold;"&gt;Henri Calef&lt;/span&gt;&lt;br /&gt;Assistant réalisateur: Jacques de Casembroot&lt;br /&gt;Auteur de l'oeuvre originale: &lt;span style="font-weight: bold;"&gt;Roger Vercel&lt;/span&gt;&lt;br /&gt;Dialoguistes: Pierre Apestéguy et Henri Calef&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 520px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Ginette Leclerc&lt;/span&gt;    (Augusta)&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 520px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-05.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-05.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-06.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 519px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-06.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Jean Vilar    (Ulysse)&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_troubles-01.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 520px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_troubles-01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Edouard Delmont    (Sauvent)&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_troubles-03.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 520px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_troubles-03.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Marcel Mouloudji    (Ernest)&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_troubles-02.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 520px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_troubles-02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Paulette Andrieux    (Cécile)&lt;br /&gt;Ludmilla Pitoëff    (l'étrangère)&lt;br /&gt;Jean-Pierre Kérien    (Goinart)&lt;br /&gt;André Valmy    (Rudan)&lt;br /&gt;Henri Belly    (Jean)&lt;br /&gt;André Carnège    (Toupain)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-07.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 520px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/ginette_leclerc_eaux_troubles-07.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Tout le monde accuse le père Sauvart d'avoir tué son fils Jean. Son fils Emest, à moitié fou, et sa fille Augusta veulent savoir la vérité. Le vieux Sauvart raconte son histoire. Il n'a pu sauver son fils Jean qu'il aimait entre tous, mais c'est lui au contraire qui a été sauvé par Jean. Il se sent coupable parce qu'il l'avait entraîné dans les sables mouvants pour lui faire une leçon.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_troubles-04.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 520px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/eaux_troubles-04.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 720x576 pixels | Mp3 | 1,15 Go&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4113227272/calec_48_eaux_tr.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/817883288/calec_48_eaux_tr.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2416548893/calec_48_eaux_tr.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2401342537/calec_48_eaux_tr.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1741017175/calec_48_eaux_tr.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3740498370/calec_48_eaux_tr.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3319558906/calec_48_eaux_tr.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Calef-1948-Les%20eaux%20troubles/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Ginette%20Leclerc/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Ginette Leclerc&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Ginette%20Leclerc/14-Ginette_Leclerc.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Ginette%20Leclerc/14-Ginette_Leclerc.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-7039614900506558695?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/7039614900506558695/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=7039614900506558695&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7039614900506558695'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7039614900506558695'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/02/calef-1948-les-eaux-troubles.html' title='Calef-1948-Les eaux troubles'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/7w2sLHNv9Bw/default.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-7126724224028775774</id><published>2012-01-31T14:07:00.004-05:00</published><updated>2012-01-31T14:32:15.875-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='1940-49'/><title type='text'>Rawlins-1942-Les Mille et Une Nuits</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/les-mille-et-une-nuits_aff_1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/les-mille-et-une-nuits_aff_1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Les Mille et Une Nuits&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Arabian Nights&lt;/span&gt;&lt;br /&gt;1942 - 1hre 26 - VFr&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;DivX 5,0 | 576x432 pixels | Mp3 | 800 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/les-mille-et-une-nuits_aff_2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/les-mille-et-une-nuits_aff_2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Les Mille et Une Nuits&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Arabian Nights&lt;/span&gt;&lt;br /&gt;1942 - 1hre 26 - VFr&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FRawlins-1942-Les%2520Mille%2520et%2520Une%2520Nuits%2FMariaMontez1942.mp4" height="488" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt; Réalisateur: John RAWLINS&lt;br /&gt;Scénariste: Michael Logan&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=1001_nuits-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/1001_nuits-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;Sabu - Ali Ben Ali&lt;br /&gt;Jon Hall - Haroun-Al-Raschid&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=1001_nuits-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/1001_nuits-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Maria Montez&lt;/span&gt; - Scheherazade&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/maria_montez_1001-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 491px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/maria_montez_1001-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/maria_montez_1001-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/maria_montez_1001-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/maria_montez_1001-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/maria_montez_1001-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/maria_montez_1001-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 490px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/maria_montez_1001-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Leif Erickson - Kamar (as Leif Erikson)&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=1001_nuits-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/1001_nuits-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Billy Gilbert - Ahmad&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=1001_nuits-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/1001_nuits-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Edgar Barrier - Nadan&lt;br /&gt;Richard Lane - Corporal&lt;br /&gt;Turhan Bey - Captain of the Guard&lt;br /&gt;John Qualen - Aladdin&lt;br /&gt;Shemp Howard - Sinbad&lt;br /&gt;William 'Wee Willie' Davis - Valda&lt;br /&gt;Thomas Gomez - Hakim&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=1001_nuits-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/1001_nuits-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Kamar al-Shaman blesse son jeune frere, le calife Harun al-Rashid, lors de sa tentative de prendre le trone de Bagdad. En fuite, ce dernier se refugie dans la troupe de la belle Scheherazade, fort convoitee. Il est pris sous la protection d'un jeune acrobate, Ali Ben Ali. Mais la petite troupe, composee entre autres de Sindbad de retour de ses voyages et d'Aladin en manque de lampe magique, est vendue par le vizir Nadan. Les membres de la troupe deviennent ses esclaves...&lt;/span&gt;&lt;br style="font-style: italic;"&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=1001_nuits-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/1001_nuits-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;DivX 5,0 | 576x432 pixels | Mp3 | 800 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1897347609/1001_nuits_42.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1604441966/1001_nuits_42.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1853059925/1001_nuits_42.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2036396382/1001_nuits_42.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2956164259/1001_nuits_42.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/les-mille-et-une-nuits-arabian-nights-24-07-1946-4-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/les-mille-et-une-nuits-arabian-nights-24-07-1946-4-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=MontezMariaArabianNights_01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/th_MontezMariaArabianNights_01.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=mille-et-une-nuits-1942-02-1-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/th_mille-et-une-nuits-1942-02-1-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=mille-et-une-nuits-1942-01-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/th_mille-et-une-nuits-1942-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: left;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=les-mille-et-une-nuits-wallpaper_208757_11668.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/th_les-mille-et-une-nuits-wallpaper_208757_11668.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=i_11668_a.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/th_i_11668_a.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=Annex-MontezMariaArabianNights_NRFPT_01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/th_Annex-MontezMariaArabianNights_NRFPT_01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/MontezMariaArabianNights_02.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/MontezMariaArabianNights_02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/les-mille-et-une-nuits-wallpaper_173539_11668.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/les-mille-et-une-nuits-wallpaper_173539_11668.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=les-mille-et-une-nuits-wallpaper_173542_11668.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/th_les-mille-et-une-nuits-wallpaper_173542_11668.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=les-mille-et-une-nuits-wallpaper_173540_11668.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/th_les-mille-et-une-nuits-wallpaper_173540_11668.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/?action=view&amp;amp;current=les-mille-et-une-nuits-wallpaper_173541_11668.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Rawlins-1942-Les%20Mille%20et%20Une%20Nuits/th_les-mille-et-une-nuits-wallpaper_173541_11668.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Maria%20Montez/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Maria Montez&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Maria%20Montez/29-Maria_Montez.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Maria%20Montez/29-Maria_Montez.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-7126724224028775774?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/7126724224028775774/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=7126724224028775774&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7126724224028775774'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7126724224028775774'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/rawlins-1942-les-mille-et-une-nuits.html' title='Rawlins-1942-Les Mille et Une Nuits'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-6200812341835806328</id><published>2012-01-30T08:12:00.006-05:00</published><updated>2012-01-30T09:02:13.298-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Sacha Guitry'/><category scheme='http://www.blogger.com/atom/ns#' term='1950-59'/><category scheme='http://www.blogger.com/atom/ns#' term='Michel Simon'/><title type='text'>Guitry-1952-La vie d'un honnête homme</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie_honete_homme_aff_1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie_honete_homme_aff_1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;La vie d'un honnête homme&lt;/span&gt;&lt;br /&gt;1952 - 1hre 25&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;DivX 5,0 | 720x540 pixels | Mp3 @224 | 1,4 Go&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/la_vie_d_un_honnete_homme_aff_2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 434px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/la_vie_d_un_honnete_homme_aff_2_650.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;La vie d'un honnête homme&lt;/span&gt;&lt;br /&gt;1952 - 1hre 25&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/9j8nzh5UID4" allowfullscreen="" frameborder="0" height="471" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Sacha Guitry&lt;/span&gt;&lt;br /&gt;Scénario, adaptation, dialogues : Sacha Guitry&lt;br /&gt;Assistant réalisateur : François Gir&lt;br /&gt;Musique : Louiguy, crée par Mouloudji&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=ClaudeGensac.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/ClaudeGensac.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Michel Simon&lt;/span&gt; : Albert et Alain Ménard-Lacoste&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie_honnete_homme-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie_honnete_homme-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie_honnete_homme-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie_honnete_homme-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Marguerite Pierry&lt;/span&gt; : Madeleine Lacoste, la femme d'Albert&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie_honnete_homme-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie_honnete_homme-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;François Guérin : Pierre Lacoste, le fils d'Albert et Madeleine&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie_honnete_homme-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie_honnete_homme-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Laurence Badie : Juliette Lacoste, la fille d'Albert et Madeleine&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=LaurenceBadie.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/LaurenceBadie.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Pauline Carton : La patronne de l'hôtel&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lana Marconi&lt;/span&gt; : Une prostituée, surnommée "la comtesse"&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie_honnete_homme-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie_honnete_homme-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;Claude Gensac&lt;/span&gt; : Evelyne, la femme de chambre des Ménard-Lacoste&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/-ifrxwVqsUBo/Tyaix6Guy_I/AAAAAAAAFGk/jpOWgb4cWsQ/s1600/vie_honnete_homme-03.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 485px;" src="http://2.bp.blogspot.com/-ifrxwVqsUBo/Tyaix6Guy_I/AAAAAAAAFGk/jpOWgb4cWsQ/s1600/vie_honnete_homme-03.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Léon Walther : Maître Denisot, le notaire des Ménard-Lacoste&lt;br /&gt;Marthe Salbel : Marie, la cuisinière des Ménard-Lacoste&lt;br /&gt;Georges Bever : Le chauffeur de taxi&lt;br /&gt;André Brunot : Le docteur Ogier&lt;br /&gt;Marcel Perès : Le commissaire Vincent&lt;br /&gt;Max Dejean : L'aubergiste&lt;br /&gt;Jacques Derives : Le médecin de Roubaix&lt;br /&gt;Marcel Mouloudji : Un chanteur&lt;br /&gt;Christine Vall : Une femme de chambre des Ménard-Lacoste&lt;br /&gt;Jacqueline Gut : La vendeuse&lt;br /&gt;Michel Nastorg : René, le mécanicien&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sacha Guitry&lt;/span&gt; : Lui-même au générique du film&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie_honnete_homme-07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie_honnete_homme-07.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Albert et Alain Ménard-Lacoste sont frères jumeaux. Le premier a "réussi", c’est-à-dire qu'il est devenu un homme riche et respectable, craint de son entourage et menant une vie infernale à sa famille. Il n'est pas heureux. Le second a beaucoup voyagé et vit très modestement. Une entrevue a lieu entre les deux frères et Alain meurt brusquement. Albert endosse sa personnalité et revient chez lui. Accueilli comme l'héritier d'Albert, il se retrouve vite dans la situation qui était la sienne avant sa "mort". Même sa femme, n'agissant que par intérêt, veut l'épouser. Le médecin de famille découvre la supercherie et Albert part à l'aventure.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie_honnete_homme-08.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie_honnete_homme-08.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;DivX 5,0 | 720x540 pixels | Mp3 @224 | 1,4 Go&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2403788193/guitry_52_vie_h_h.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2361742981/guitry_52_vie_h_h.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2464861178/guitry_52_vie_h_h.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2826467198/guitry_52_vie_h_h.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3204947469/guitry_52_vie_h_h.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3800408563/guitry_52_vie_h_h.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1822049371/guitry_52_vie_h_h.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1484641837/guitry_52_vie_h_h.zip.008&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie-d-un-honnete-homme-1953-01-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/vie-d-un-honnete-homme-1953-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie-d-un-honnete-homme-1953-tou--01-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/th_vie-d-un-honnete-homme-1953-tou--01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie-d-un-honnete-homme-1953-06-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/th_vie-d-un-honnete-homme-1953-06-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie-d-un-honnete-homme-1953-05-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/th_vie-d-un-honnete-homme-1953-05-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie-d-un-honnete-homme-1953-04-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/th_vie-d-un-honnete-homme-1953-04-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie-d-un-honnete-homme-1953-03-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/th_vie-d-un-honnete-homme-1953-03-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/?action=view&amp;amp;current=vie-d-un-honnete-homme-1953-02-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1952-La%20vie%20d_un%20honnete%20homme/th_vie-d-un-honnete-homme-1953-02-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="color: rgb(153, 51, 153);"&gt;&lt;span style="font-weight: bold;"&gt;Claude Gensac&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/23266100.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 584px; height: 800px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/23266100.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-6200812341835806328?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/6200812341835806328/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=6200812341835806328&amp;isPopup=true' title='5 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/6200812341835806328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/6200812341835806328'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/guitry-1952-la-vie-dun-honnete-homme.html' title='Guitry-1952-La vie d&apos;un honnête homme'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/9j8nzh5UID4/default.jpg' height='72' width='72'/><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-661011439189384396</id><published>2012-01-29T11:34:00.000-05:00</published><updated>2012-01-29T11:35:04.608-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='1900-09'/><title type='text'>D.W. Griffith-1909-Edgar Allan Poe</title><content type='html'>&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FClip%2FDWGriffith-1909-EdgarAllanPoe.mp4" height="488" width="650"&gt;&lt;/embed&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-661011439189384396?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/661011439189384396/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=661011439189384396&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/661011439189384396'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/661011439189384396'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/dw-griffith-1909-edgar-allan-poe.html' title='D.W. Griffith-1909-Edgar Allan Poe'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-9163336123894981741</id><published>2012-01-29T10:36:00.005-05:00</published><updated>2012-01-30T11:45:59.684-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Sacha Guitry'/><category scheme='http://www.blogger.com/atom/ns#' term='1950-59'/><category scheme='http://www.blogger.com/atom/ns#' term='Michel Simon'/><title type='text'>Guitry-1957-Les trois font la paire</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/les_trois_font_la_paire1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/les_trois_font_la_paire1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;Les trois font la paire&lt;/span&gt;&lt;br /&gt;1957 - 1hre 15&lt;br /&gt;DivX 5,0 | 720x540 pixels | Mp3 @ 224 | 1,2 Go&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_paires_aff_2.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 638px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_paires_aff_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;Les trois font la paire&lt;/span&gt;&lt;br /&gt;1957 - 1hre 15&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/ArFzzpjBgzo" allowfullscreen="" frameborder="0" height="471" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Sacha Guitry&lt;/span&gt; et Clément Duhour&lt;br /&gt;Scénario, adaptation et dialogues : Sacha Guitry&lt;br /&gt;Assistants réalisateurs : Gérard Renateau et Jean-Claude Devernet&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sacha Guitry&lt;/span&gt; : Lui-même en présentateur-narrateur (générique et fin)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Michel Simon&lt;/span&gt; : Le commissaire Bernard&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pauline Carton&lt;/span&gt; : Eveline Bernard&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Sophie Desmarets&lt;/span&gt; : Albertine Piédeloup, dite Titine&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-08.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-08.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Jean Rigaux : Marcel Bornier, le cabot&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Darry Cowl&lt;/span&gt; : Henri Valpreux, le réalisateur&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Clément Duhour : M. Jean, le chef&lt;br /&gt;Philippe Nicaud : Jojo, Teddy and Partner&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Jane Marken : Georgette Bornier&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Robert Dalban&lt;/span&gt; : L'inspecteur Walter&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-07.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Gilbert Boka : Duval, le producteur&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Julien Carette&lt;/span&gt; : Léon, le patron du bistrot&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Christian Méry : Ernest, un gangster&lt;br /&gt;André Numès Fils : Le secrétaire du commissaire Bernard&lt;br /&gt;Yvonne Hébert : Madame Walter&lt;br /&gt;Jacques Ary : Un gangster&lt;br /&gt;André Chanu : Agostini, le chef opérateur&lt;br /&gt;Emile Genevois : Dumont, le régisseur&lt;br /&gt;Henry Djanik : Bébert, un gangster&lt;br /&gt;Jacques Famery : Le clown&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-11.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 485px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-11.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Un metteur en scène tourne dans la rue. Un passant se mêle aux prises de vues, se jette sur un acteur et le tue. L'assassin n'est qu'un tueur d'occasion, Jojo, qui, pour entrer dans une bande, a voulu faire un acte d'éclat en commettant un crime en plein jour. Le commissaire Bernard tient là l'affaire de sa vie car les opérateurs du film ont tourné l'assassinat et viennent en confidence remettre à la police la photo du meurtrier. Trois policiers partent avec cette photo. Deux d'entre eux ramènent un coupable. On apprend vite qu'il s'agit de deux jumeaux, clowns dans un cirque, qui tous les deux s'accusent en croyant ainsi sauver l'autre.&lt;/span&gt;&lt;br style="font-style: italic;"&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Le troisième policier revient en compagnie de la fille de moeurs légères qui a reçu l'assassin la nuit précédente. Elle est confrontée avec les deux frères et conclut que ni l'un ni l'autre n'est coupable. C'est un sosie des deux autres. La bande dans laquelle il voulait entrer est très inquiète de le voir se faire remarquer avant d'avoir rendu le moindre service à l'équipe. Les gangsters le font disparaître, puis décident de le tuer sur le lieu de son crime.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-09.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-09.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;DivX 5,0 | 720x540 pixels | Mp3 @ 224 | 1,2 Go&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/20189178/guitry_57_3_font_pere.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1074539352/guitry_57_3_font_pere.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3030807238/guitry_57_3_font_pere.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3408592269/guitry_57_3_font_pere.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3261750460/guitry_57_3_font_pere.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1025148405/guitry_57_3_font_pere.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4287747882/guitry_57_3_font_pere.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/?action=view&amp;amp;current=3_font_paire-10.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Guitry-1957-Les%20trois%20font%20la%20paire/3_font_paire-10.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Sophie%20Desmarets/"&gt;Sophie Desmarets&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Sophie%20Desmarets/Sophie_Desmarets-06.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Sophie%20Desmarets/Sophie_Desmarets-06.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-9163336123894981741?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/9163336123894981741/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=9163336123894981741&amp;isPopup=true' title='3 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/9163336123894981741'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/9163336123894981741'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/guitry-1957-les-trois-font-la-paire.html' title='Guitry-1957-Les trois font la paire'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/ArFzzpjBgzo/default.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-3281546788977527408</id><published>2012-01-29T07:56:00.003-05:00</published><updated>2012-01-29T08:22:03.833-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Fritz Lang'/><category scheme='http://www.blogger.com/atom/ns#' term='1940-49'/><title type='text'>Lang-1941-Man Hunt</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/chasse-a-l-homme-aff_1.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 497px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/chasse-a-l-homme-aff_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Chasse à l'homme&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Man Hunt&lt;/span&gt;&lt;br /&gt;1941 - 1hre 45 - VoStFr incrustés&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 720x528 pixels | Mp3 | 860 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/man_hunt1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/man_hunt1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Chasse à l'homme&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Man Hunt&lt;/span&gt;&lt;br /&gt;1941 - 1hre 45 - VoStFr incrustés&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FLang-1941-Chasse%2520a%2520l_Homme%2FJoanBennett.mp4" height="475" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt; Réalisateur: &lt;span style="font-weight: bold;"&gt;Fritz Lang&lt;/span&gt;&lt;br /&gt;Assistant réalisateur: Ad Schaumer&lt;br /&gt;Scénariste: Dudley Nichols&lt;br /&gt;Collaborateur scénaristique: Lamar Trotti&lt;br /&gt;Auteur de l'oeuvre originale:  Georges Household d'après le feuilleton "Rogue Male"&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=man_hunt-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/man_hunt-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Walter Pidgeon&lt;/span&gt; : Thorndyke&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=man_hunt-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/man_hunt-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Joan Bennett&lt;/span&gt; : Jenny&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/joan_bennett_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 475px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/joan_bennett_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/joan_bennett_3.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/joan_bennett_3.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/joan_bennett_4.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/joan_bennett_4.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/joan_bennett_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 475px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/joan_bennett_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;John Carradine&lt;/span&gt; : Jones&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=man_hunt-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/man_hunt-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;George Sanders : Quive Smith&lt;br /&gt;Roddy McDowall : Vaner&lt;br /&gt;Ludwig Stossel : Un médecin&lt;br /&gt;Heather Thatcher : Lady Alice Risborough&lt;br /&gt;Frederick Worlock : Lord Risborough&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=man_hunt-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/man_hunt-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;En 1939, Thorndyke, un célèbre chasseur de fauves britannique, parvient à s'infiltrer au plus près du Berghof d'Adolf Hitler. Apercevant le chancelier allemand sur une terrasse, il épaule sa carabine et simule un tir. C'est alors qu'il est surpris par un garde et capturé.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Interrogé par un officier nazi, Thorndyke explique qu'il a agi par défi, pour le plaisir de la chasse, et non pour assassiner réellement Hitler. Voyant une opportunité de compromettre les autorités britanniques, l'officier lui propose de signer une confession. S'il admet avoir agi sur ordre de son gouvernement, alors il sera libéré. Face à son refus, le nazi décide d'organiser un simulacre de suicide, pour que sa disparition n'éveille pas les soupçons. Mais Thorndyke parvient à s'échapper, puis à quitter l'Allemagne.&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;De retour à Londres, il s'aperçoit très vite que des agents infiltrés sont à sa recherche. Après maintes péripéties, il réussit à se débarrasser de ses poursuivants et, la guerre ayant éclaté, il retourne en Allemagne, cette fois pour tuer Hitler.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=man_hunt-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/man_hunt-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 720x528 pixels | Mp3 | 860 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4082322179/lang_41_manhunt.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4097242772/lang_41_manhunt.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1571465762/lang_41_manhunt.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1900116639/lang_41_manhunt.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3991605770/lang_41_manhunt.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/large_426558.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/large_426558.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=manhunt-1.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/th_manhunt-1.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=Man-Hunt-Film-Review.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/th_Man-Hunt-Film-Review.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=Man-Hunt-DVD-Review.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/th_Man-Hunt-DVD-Review.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=chasse-a-l-homme-1941-03-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/th_chasse-a-l-homme-1941-03-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=chasse-a-l-homme-1941-02-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/th_chasse-a-l-homme-1941-02-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/?action=view&amp;amp;current=chasse-a-l-homme-1941-01-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/th_chasse-a-l-homme-1941-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/chasse-a-l-homme-1941-04-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Lang-1941-Chasse%20a%20l_Homme/chasse-a-l-homme-1941-04-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Joan%20Bennett/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Joan Bennett&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Joan%20Bennett/26-Joan_Bennett.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Joan%20Bennett/26-Joan_Bennett.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-3281546788977527408?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/3281546788977527408/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=3281546788977527408&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/3281546788977527408'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/3281546788977527408'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/lang-1941-man-hunt.html' title='Lang-1941-Man Hunt'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-5353500983691006462</id><published>2012-01-28T10:50:00.003-05:00</published><updated>2012-01-28T10:59:57.160-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='BD'/><title type='text'>Jess Long</title><content type='html'>&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/tete_1-2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 664px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/tete_1-2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;&lt;/span&gt;&lt;blockquote&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Jess Long&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-family: times new roman;font-size:85%;" &gt;9 albums | JPG | 350 Mo&lt;/span&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/tete_2-2.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 547px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/tete_2-2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Jess Long&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_1_2-2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 465px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_1_2-2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;--&amp;gt; &lt;a href="https://www.rapidshare.com/files/3925765169/bd_jess_long-1-2.zip"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Tomes 1 et 2&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entre_1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 688px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entre_1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_3_5.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 458px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_3_5.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;--&amp;gt; &lt;a href="https://www.rapidshare.com/files/658699940/bd_jess_long-3-5.zip"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Tomes 3 et 5&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entre_2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 401px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entre_2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_6_7.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 453px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_6_7.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;--&amp;gt; &lt;a style="font-family: times new roman;" href="https://www.rapidshare.com/files/1059260047/bd_jess_long-6-7.zip"&gt;&lt;span style="font-size:85%;"&gt;Tomes 6 et 7&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entre_3.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 400px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/entre_3.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_8.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 899px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_8.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_11_12.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 448px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/t_11_12.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;--&amp;gt; &lt;a style="font-family: times new roman;" href="https://www.rapidshare.com/files/3993518127/bd_jess_long-8-11-12.zip"&gt;&lt;span style="font-size:85%;"&gt;Tomes 8, 11 et 12&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/pied-1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 464px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/pied-1.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-5353500983691006462?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/5353500983691006462/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=5353500983691006462&amp;isPopup=true' title='3 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/5353500983691006462'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/5353500983691006462'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/jess-long.html' title='Jess Long'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/th_tete_1-2.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-8962634474666703772</id><published>2012-01-28T09:55:00.002-05:00</published><updated>2012-01-28T10:10:01.266-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Bernadette Lafont'/><category scheme='http://www.blogger.com/atom/ns#' term='1970-79'/><title type='text'>Foulon-1976-Le trouble fesses</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/troublefessesaff1.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 537px; height: 685px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/troublefessesaff1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;Le trouble fesses&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;1976 - 1hre 30&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;VhSRip | DivX 5,0 | 640x432 pixels | Mp3 | 770 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/Letroublefesses.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/Letroublefesses.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;&lt;span style="font-weight: bold;"&gt;Le trouble fesses&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;1976 - 1hre 30&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.dailymotion.com/embed/video/xo46qo?theme=eggplant&amp;amp;foreground=%23CFCFCF&amp;amp;highlight=%23834596&amp;amp;background=%23000000&amp;amp;logo=0&amp;amp;hideInfos=1" frameborder="0" height="447" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisateur: Raoul Foulon&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/?action=view&amp;amp;current=trouble_fesses-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/trouble_fesses-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Michel Galabru&lt;/span&gt;    (Eugène Lajoux)&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/?action=view&amp;amp;current=trouble_fesses-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/trouble_fesses-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Bernadette Lafont &lt;/span&gt;   (Dany Lajoux)&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/?action=view&amp;amp;current=trouble_fesses-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/trouble_fesses-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Vittorio Caprioli    (Lucky Capoli)&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Anicée Alvina&lt;/span&gt;    (Chantal)&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/?action=view&amp;amp;current=trouble_fesses-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/trouble_fesses-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Maurice Risch    (Ernesto Capoli)&lt;br /&gt;Jean Gaven    (tueur sicilien)&lt;br /&gt;Henri Déus    (tueur sicilien)&lt;br /&gt;François Maistre    (Don Pasquale)&lt;br /&gt;Alice Sapritch    (Marlène)&lt;br /&gt;Isa Lamour    (fille de Don Pasquale)&lt;br /&gt;André Badin    (liftier)&lt;br /&gt;Gabriel Jabbour    (droguiste)&lt;br /&gt;Micha Bayard    (patronne de l'hôtel)&lt;br /&gt;Dominique Davray    (Angèle)&lt;br /&gt;Jacques Ramade    (Bertrand)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/?action=view&amp;amp;current=trouble_fesses-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/trouble_fesses-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Pour obliger son président directeur général, Eugène Lajoux, dont le travail principal consiste à échapper, durant ses heures de bureau, à Chantal, sa secrétaire énamourée, accepte de trouver un refuge au neveu de son patron, Ernesto Capoli. Doué d'un tempérament amoureux excessif, le jeune homme a séduit, en effet, la fille d'un ponte de la Mafia, Don Pasquale, lequel a dépêché des sbires afin d'émasculer le vil séducteur. Sur les conseils d'un ami, Lajoux conduit Ernesto dans un hôtel qui s'avère, en fait, une maison dite de tolérance. Ernesto s'y trouverait fort à son aise si les spadassins italiens ne le forçaient pas à se réfugier. au petit matin, chez Lajoux. Eperdu d'admiration pour Dany, l'épouse d'Eugène, Ernesto provoque divers désordres, toujours poursuivi par les tueurs qui ont, une fois encore, retrouvé sa trace. &lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/?action=view&amp;amp;current=trouble_fesses-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/trouble_fesses-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Après s'être déguisé en femme, Ernesto échoue, sur l'ordre de son oncle, chez Chantal, au grand chagrin d'Etienne qui, connaissant les appétits d'Ernesto, sent une féroce jalousie l'envahir, que remarque Dany. Furieuse de découvrir l'existence de sa rivale, elle se rend chez cette dernière, y déloge un Ernesto empressé qui se retrouve, nu, à la rue et y accueille un Etienne stupéfait. C'est alors que les "maffiosi", qui n'avaient pas dit leur dernier mot, se rendent maîtres des deux hommes. Fort heureusement, d'Italie, Don Pasquale fait savoir qu'il a changé d'avis: au lieu de mutiler Ernesto, il lui fera épouser sa fille... Tout est bien qui fini bien ou presque, car, le jour des noces, la mariée n'a d'yeux que pour Eugène...&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/?action=view&amp;amp;current=trouble_fesses-07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Foulon-1976-Le%20Trouble%20Fesses/trouble_fesses-07.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;VhSRip | DivX 5,0 | 640x432 pixels | Mp3 | 770 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1053385768/foulon_76_trouble_fesse.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1278118769/foulon_76_trouble_fesse.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4025373314/foulon_76_trouble_fesse.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1553410480/foulon_76_trouble_fesse.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3347498509/foulon_76_trouble_fesse.zip.005&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://www.mediafire.com/?8yv1gyg4rnoml"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Anicée Alvina&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://www.mediafire.com/imgbnc.php/24fc56fd8ea56de2f7166ca188a6515ea64d457c0ccd622929dac73dcfc2b6686g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://www.mediafire.com/imgbnc.php/24fc56fd8ea56de2f7166ca188a6515ea64d457c0ccd622929dac73dcfc2b6686g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-8962634474666703772?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/8962634474666703772/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=8962634474666703772&amp;isPopup=true' title='5 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/8962634474666703772'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/8962634474666703772'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/foulon-1976-le-trouble-fesses.html' title='Foulon-1976-Le trouble fesses'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>5</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-2489834692608516790</id><published>2012-01-28T07:26:00.004-05:00</published><updated>2012-01-28T08:10:58.988-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1960-69'/><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Bernadette Lafont'/><title type='text'>Dudrumet-1965-Pleins feux sur Stanislas</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/pleins-feux-sur-stanislas-affiche.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 602px; height: 762px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/pleins-feux-sur-stanislas-affiche.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;Pleins feux sur Stanislas&lt;/span&gt;&lt;br /&gt;1965 - 1hre 30&lt;br /&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;Generic MPEG-4 | 720x448 pixels | Mp3 | 1,7 Go&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/pleins-feux-sur-stanislas-affiche2.png"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 715px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/pleins-feux-sur-stanislas-affiche2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;Pleins feux sur Stanislas&lt;/span&gt;&lt;br /&gt;1965 - 1hre 30&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FDudrumet-1965-Pleins%2520feux%2520sur%2520Stanislas%2FNadjaTiller.mp4" height="410" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Jean-Charles Dudrumet&lt;/span&gt;&lt;br /&gt;Scénario et adaptation : Jean-Charles Dudrumet et Michel Cousin&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/?action=view&amp;amp;current=stanislas-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/stanislas-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Diastribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jean Marais&lt;/span&gt;    (Stanislas Dubois)&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/?action=view&amp;amp;current=stanislas-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/stanislas-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Nadja Tiller &lt;/span&gt;   (Bénédicte Rameau)&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/nadja_3.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 405px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/nadja_3.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/nadja_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/nadja_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/nadja_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/nadja_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/Nadja.gif"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 405px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/Nadja.gif" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Bernadette Lafont&lt;/span&gt;    (Rosine Lenoble)&lt;br /&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FDudrumet-1965-Pleins%2520feux%2520sur%2520Stanislas%2FBernadetteLafont.mp4" height="410" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/bvernadette_lafont_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/bvernadette_lafont_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/bvernadette_lafont_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/bvernadette_lafont_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;André Luguet    (Colonel de Sailly)&lt;br /&gt;Nicole Maurey    (Claire)&lt;br /&gt;Billy Kearns    (l'espion américain)&lt;br /&gt;Yvonne Clech    (la patronne de l'hôtel)&lt;br /&gt;Marcelle Arnold    (Morin)&lt;br /&gt;Alice Field    (une femme)&lt;br /&gt;Edmond Tamiz    (Nikita et Vladimir)&lt;br /&gt;Rudolf Forster    (Rameau)&lt;br /&gt;Jacques Morel    (le percepteur)&lt;br /&gt;Bernard La Jarrige    (Paul)&lt;br /&gt;Edward Meeks    (l'espion anglais)&lt;br /&gt;Clément Harari    (l'espion soviétique)&lt;br /&gt;Henri Tisot    (l'agent 07)&lt;br /&gt;Pierre Tchernia    (l'interviewer)&lt;br /&gt;Charles Régnier    (l'homme au chat)&lt;br /&gt;Max Montavon    (le barman)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/?action=view&amp;amp;current=stanislas-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/stanislas-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Stanislas Dubois, agent secret malgré lui, prend une confortable retraite et se consacre à la rédaction de ses souvenirs. Tout irait bien s'il ne prenait un coup de sang à la suite d'une critique acerbe de son dernier livre. L'auteur de la critique est une charmante blonde : Bénédicte Rameau, avec laquelle il se sent tout prêt à nouer des liens extra-professionnels. Le malheur veut qu'au soir de leur première rencontre, un semi-cadavre leur tombe dessus et expire en laissant échapper quelques mots mystérieux. Le premier mot : les treize colonnes en dit long au Colonel, ancien chef de Stanislas. Il s'agit d'une organisation internationale d'espionnage.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/?action=view&amp;amp;current=stanislas-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/stanislas-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Quand au second mot: Cercueil, il ne leur dit rien, ni à l'un, ni à l'autre. Et voilà Stanislas, à nouveau malgré lui, sur le sentier de la guerre. Tout le monde tient à savoir ce que le mort a bien pu dire. Cadavres et agents secrets surgissent sous ses pas.Force lui est de suivre l'affaire. Surtout lorsque Bénédicte est enlevée.Naturellement Stanislas délivrera Bénédicte et Bénédicte découvrira le pot aux roses : en l'occurrence, un registre d'hôtel, dans une localité nommée Cercueil, qui contient la liste complète des membres des treize Colonnes. Et. après quelques poursuites épiques, Stanislas pourra enfin échanger avec son ex-ennemie le baiser si longtemps différé.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/?action=view&amp;amp;current=stanislas-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/stanislas-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 720x448 pixels | Mp3 | 1,7 Go&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1389279526/dudrumet_65_stanislas.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2724714274/dudrumet_65_stanislas.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3926143505/dudrumet_65_stanislas.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1446653919/dudrumet_65_stanislas.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/2030370679/dudrumet_65_stanislas.zip.005&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/616915470/dudrumet_65_stanislas.zip.006&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3642028066/dudrumet_65_stanislas.zip.007&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/1402461356/dudrumet_65_stanislas.zip.008&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/3392524123/dudrumet_65_stanislas.zip.009&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;https://www.rapidshare.com/files/4277449995/dudrumet_65_stanislas.zip.010&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/"&gt;Imagerie&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/19679_RENDEZVOUS_DER_KILLER_003_122_354lo.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/19679_RENDEZVOUS_DER_KILLER_003_122_354lo.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/?action=view&amp;amp;current=19830_RENDEZVOUS_DER_KILLER_004_122_128lo.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/th_19830_RENDEZVOUS_DER_KILLER_004_122_128lo.jpg" alt="" border="0" /&gt;&lt;/a&gt; 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margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Dudrumet-1965-Pleins%20feux%20sur%20Stanislas/19675_RENDEZVOUS_DER_KILLER_001_122_731lo.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Nadja%20Tiller/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Nadja Tiller&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Nadja%20Tiller/05_Nadja_Tiller.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Nadja%20Tiller/05_Nadja_Tiller.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Bernadette%20Lafont/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Bernadette Lafont&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Bernadette%20Lafont/bernadette_lafont_013.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Bernadette%20Lafont/bernadette_lafont_013.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://2.bp.blogspot.com/-ntMpobhX1ug/TyPzcSmzxOI/AAAAAAAAFGY/soDtt0FspT4/s1600/bernadette_lafont_001.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 560px; height: 416px;" src="http://2.bp.blogspot.com/-ntMpobhX1ug/TyPzcSmzxOI/AAAAAAAAFGY/soDtt0FspT4/s1600/bernadette_lafont_001.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-2489834692608516790?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/2489834692608516790/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=2489834692608516790&amp;isPopup=true' title='3 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/2489834692608516790'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/2489834692608516790'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/dudrumet-1965-pleins-feux-sur-stanislas.html' title='Dudrumet-1965-Pleins feux sur Stanislas'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/-ntMpobhX1ug/TyPzcSmzxOI/AAAAAAAAFGY/soDtt0FspT4/s72-c/bernadette_lafont_001.jpg' height='72' width='72'/><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-6251990308770828253</id><published>2012-01-27T12:25:00.003-05:00</published><updated>2012-01-27T12:36:43.524-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Art'/><title type='text'>Alte Nationalgalerie (Berlin)</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/Anselm_Feiyerbah_-_Rikordo_di_Tivoli_Staraia_Nacionalnaia_galereia_Berlin.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 983px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/Anselm_Feiyerbah_-_Rikordo_di_Tivoli_Staraia_Nacionalnaia_galereia_Berlin.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Alte Nationalgalerie&lt;/span&gt;&lt;/span&gt; (Berlin)&lt;br /&gt;&lt;span style="font-family: times new roman;font-size:85%;" &gt;190 JPG | 170 Mo&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;span style=" font-style: italic;font-family:times new roman;" &gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;blockquote&gt;&lt;span style=" font-style: italic;font-family:times new roman;" &gt;La Alte Nationalgalerie (Ancienne galerie nationale), est un musée situé sur l'île aux musées à Berlin. Rouvert en 2001, cet édifice en forme de temple grec, inauguré en 1876, est consacré à l'art allemand du XIXe siècle et aux impressionnistes français.&lt;/span&gt;&lt;br  style=" font-style: italic;font-family:times new roman;"&gt;&lt;span style=" font-style: italic;font-family:times new roman;" &gt;Il présente les importantes collections du xixe siècle de la Fondation pour la culture prussienne. Considéré comme le tableau le plus représentatif du mouvement symboliste, l'île des morts d'Arnold Böcklin (1883) est l'un des clous du musée.&lt;/span&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/Eduard_Mane_-_Dom_v_Riuile_Staraia_Nacionalnaia_galereia_Berlin.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 504px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/Eduard_Mane_-_Dom_v_Riuile_Staraia_Nacionalnaia_galereia_Berlin.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/karl_shpicveg_-_vozdushnyiy_zmeiy__staraia_nacional_naia_galereia.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 301px; height: 981px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/karl_shpicveg_-_vozdushnyiy_zmeiy__staraia_nacional_naia_galereia.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;Adol'f Mencel'-Balkon nomera, Staraia - • - Adol'f Mencel'-Gimnaziskiiy teatr, Staraia - • - Adol'f Mencel'-Ivy na fone stroiashegosia zdaniia, Staraia - • - Adol'f Mencel'-Koncert fleiyty Fridriha Velikogo v San-Susi, Staraia - • - Adol'f Mencel'-Steny studii, Staraia - • - Adol'f Mencel'-Uzhin na balu, Staraia - • - Adol'f Mencel'-Vokzal Berlin-Potsdam, Staraia - • - Adol'f Mencel'-ZHelezoprokat (Sovremennye ciklopy), Staraia - • - Al'fred Retel'-Portait materi hudozhnika, Staraia - • - Ansel'm Feiyerbah-Avtoportret, Staraia - • - Ansel'm Feiyerbah-Rikordo di Tivoli, Staraia - • - Ansel'm Feiyerbah-Simpozium (vtoroiy variant), Staraia - • - Anton fon Verner-Voennyiy kvartal v prigorode Parizha, Staraia - • - Anton Graff-Avtoportret, Staraia - • - Arnol'd Boklin-Avtoportret so smert'iu, igraiusheiy na skripke, Staraia - • - Arnol'd Boklin-Ostrov mertvyh, Staraia - • - Avgust Vil'gel'm Iulius Al'born-Grecheskiiy Cvetok, Staraia - • - Dzhon Konstebl'-Rosha, ili dom admirala v hempstede, Staraia - • - Eduard Gartner-Ulica popugaev, Staraia - • - Eduard Gartner-Vid szadi doma na Shlosfraiyhaiyt, Staraia - • - Eduard Mane-Dom v Riuile, Staraia - • - Eduard Mane-V konservatorii, Staraia - • - Erdman hammel'-Granitnaia chasha v Berline (Lustgarten), Staraia - • - Ernst Ferdinand Ome-Sharfenberg noch'iu, Staraia - • - Ferdinand fon Raiyski-Graf habold fon Aiynzidel, Staraia - • - Ferdinand fon Raiyski-Portret Kristiny Freiyfrau fon Shonberg, Staraia - • - Ferdinand Georg Val'dmiuller-Peiyzazh okolo Pratera, Staraia - • - Ferdinand Georg Val'dmiuller-Portret materi kapitana fon Shtirl'-hol'cmaiyster, Staraia - • - Filipp Otto Runge-Polina Runge s dvuh-letnim synom, Staraia - • - Franc Kriuger-Parad na Opernplatc v Berline, Staraia - • - Fric fon Ude-Molitva pered obedom, Staraia - • - Fridrih Overbek-Prodazha Iosifa, Staraia - • - Gans Toma-Leto, Staraia - • - Georg Fridrih Kersting-Zastava, Staraia - • - Giustav Kurbe-Veiyr v Mill, Staraia - • - Giustav Kurbe-Volna, Staraia - • - Gottlib Shik-Portret Enrike Dannekera, Staraia - • - Gustav Karl Liudvig Rihter-Ozero v Ispolinovyh gorah, Staraia - • - Gustav Karl Liudvig Rihter-Rodnik v lesu okolo Arichii, Staraia - • - Hans fon Mare-Avtoportret v zheltoiy shliape, Staraia - • - Hans fon Mare-Grebcy, Staraia - • - Iogann Petr Gazenklever-Chital'nyiy zal, Staraia - • - Iyohan Kristian Klauzen Dal'-Grozovye oblaka nad bashneiy zamka v Drezdene, Staraia - • - Karl Blehen-Fabrika Noiyshtadt-Ebersval'de, Staraia - • - Karl Blehen-Inter'er Pal'movogo doma, Staraia - • - Karl Blehen-Lesnaia tropinka vozle Shpandau, Staraia - • - Karl Blehen-Ushel'e bliz Amal'fi, Staraia - • - Karl Blehen-V parke villy d'Este, Staraia - • - Karl Blehen-Vid na kryshi i sady, Staraia - • - Karl Fridrih Shinkel'-Goticheskaia cerkov' na skale u moria, Staraia - • - Karl Fridrih Shinkel'-Utro, Staraia - • - Karl Fridrih Shinkel'-Zamok na beregu reki, Staraia - • - Karl Gustav Karus-Balkon s vidom na Neapolitanskiiy zaliv, Staraia - • - Karl Gustav Karus-Piligrim v Roki-Valli, Staraia - • - Karl Rotmann-Bitva pri Marafone, Staraia - • - Karl Shpicveg-Vozdushnyiy zmeiy, Staraia - • - Karl Shuh-Natiurmort s kuropatkami i syrom, Staraia - • - Kaspar David Fridrih-Abbatstvo sredi derev'ev duba, Staraia - • - Kaspar David Fridrih-Monah u moria, Staraia - • - Kaspar David Fridrih-Odinokoe derevo, Staraia - • - Kaspar David Fridrih-Voshod luny nad morem, Staraia - • - Kaspar David Fridrih-ZHenshina u okna, Staraia - • - Klod Mone-Leto, Staraia - • - Klod Mone-Sen-ZHermen, Staraia - • - Kristian Rol'fs-Doroga v Gel'merodu, Staraia - • - Kurt hermann-Shloss Bel'veder v Veiymare (1912), Staraia - • - Lesser Uri-Kabak (flamandskaia taverna), Staraia - • - Lovis Korinf-Osleplennyiy Samson, Staraia - • - Lovis Korinf-Sem'ia hudozhnika Frica Rumpfa, Staraia - • - Lui Aiyzen-Mat' hudozhnika, Staraia - • - Maks Klinger-Uolker, Staraia - • - Maks Liberman-Devochki-siroty v Amsterdame, Staraia - • - Maks Liberman-Lnianaia manufaktura v Larene, Staraia - • - Maks Liberman-ZHenshiny, obshipyvaiushie guseiy, Staraia - • - Maks Slevogt-Pevec Francisko d'Andrade, v roli Don ZHuana v opere Mocarta, Staraia - • - Moric fon Shvind-Proshanie na rassvete, Staraia - • - Moric fon Shvind-Roza, ili Puteshestvie hudozhnika, Staraia - • - Ogiust Renuar-Detskiiy den' v Vargemonte, Staraia - • - Ogiust Renuar-Leto, Staraia - • - Onore Dom'e-Don Kihot i Sancho Pansa, Staraia - • - P'er-Ogiust Renuar-Cvetushiiy kashtan, Staraia - • - Peter fon Kornelius-Iosif otkrovennichaet s brat'iami, Staraia - • - Pol' Sezann-Mel'nica v Pontuaze, Staraia - • - Pol' Sezann-Natiurmort s cvetami i fruktami, Staraia - • - Sharl'-Fransua Dobin'i-Vesenniiy peiyzazh, Staraia - • - Val'ter Leiystikov-Ozero Griuneval'd, Staraia - • - Vil'gel'm fon Kobell-Vsadniki v Tegernzee, Staraia - • - Vil'gel'm Leiybl-ZHenshin i deti iz Dahau, Staraia - • - Vil'gel'm Triubner-Na divane, Staraia - • - ZHan-Batist Kamil' Koro-Vozle zamka na Sene, Staraia&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/Eduard_Gartner_-_Ulica_popugaev_Staraia_Nacionalnaia_galereia_Berlin.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 884px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/Eduard_Gartner_-_Ulica_popugaev_Staraia_Nacionalnaia_galereia_Berlin.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/Adolf_Mencel_-_Balkon_nomera_Staraia_Nacionalnaia_galereia_Berlin.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 787px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/Adolf_Mencel_-_Balkon_nomera_Staraia_Nacionalnaia_galereia_Berlin.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;--&amp;gt;&lt;span style="font-size:85%;"&gt;&lt;a style="font-family: times new roman;" href="https://www.rapidshare.com/files/872878837/berlin_alte_nationalgalerie.zip"&gt; 190 JPG | 170 Mo&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Art/Gottlib_Shik_-_Portret_Enrike_Dannekera_Staraia_Nacionalnaia_galereia_Berlin.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 778px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Art/Gottlib_Shik_-_Portret_Enrike_Dannekera_Staraia_Nacionalnaia_galereia_Berlin.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-6251990308770828253?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/6251990308770828253/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=6251990308770828253&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/6251990308770828253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/6251990308770828253'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/alte-nationalgalerie-berlin.html' title='Alte Nationalgalerie (Berlin)'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i664.photobucket.com/albums/vv9/francomac123/Art/th_Anselm_Feiyerbah_-_Rikordo_di_Tivoli_Staraia_Nacionalnaia_galereia_Berlin.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-7077762557355714449</id><published>2012-01-27T11:49:00.004-05:00</published><updated>2012-01-27T12:00:29.403-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Voix de femmes'/><category scheme='http://www.blogger.com/atom/ns#' term='Musique'/><title type='text'>Voix de femmes 73 de ... Yvonne Printemps</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/502_001.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/502_001.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Yvonne Printemps&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/0hzODMoFgFEvHxsVddMNwc.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/0hzODMoFgFEvHxsVddMNwc.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-weight: bold;"&gt;Yvonne Printemps&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Best of&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/face.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/face.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;&lt;br /&gt;Best of&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;Quand les papillons&lt;br /&gt;Ta bouche&lt;br /&gt;Sourire aux lèvres&lt;br /&gt;Air des cartes de visites&lt;br /&gt;Véronique&lt;br /&gt;Le chemin de l'amour&lt;br /&gt;Mon rêve s'achève&lt;br /&gt;Largo&lt;br /&gt;Berceuse dite de Mozart&lt;br /&gt;C'est mon ami&lt;br /&gt;Ma belle si ton âme&lt;br /&gt;Si l'on était raisonnable&lt;br /&gt;Il faut si peu de choses&lt;br /&gt;Je suis bien&lt;br /&gt;Peine de coeur&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/YlF2zmhNKpE" allowfullscreen="" frameborder="0" height="471" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/163_001.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/163_001.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;--&amp;gt; &lt;span style="font-size:85%;"&gt;&lt;a style="font-family: times new roman;" href="https://www.rapidshare.com/files/3923642849/teuse_yvonne_printemps.zip"&gt;Mp3 @ 320 Kbps | 120 Mo&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/YvonnePrintempsfleurs_01.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/YvonnePrintempsfleurs_01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-7077762557355714449?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/7077762557355714449/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=7077762557355714449&amp;isPopup=true' title='2 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7077762557355714449'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7077762557355714449'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/voix-de-femmes-73-de-yvonne-printemps.html' title='Voix de femmes 73 de ... Yvonne Printemps'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours%202/th_502_001.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-4064396731850084206</id><published>2012-01-25T09:54:00.003-05:00</published><updated>2012-01-25T10:53:51.677-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Eddie Constantine'/><category scheme='http://www.blogger.com/atom/ns#' term='1950-59'/><title type='text'>Cottafavi-1955-Repris de justice</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/1326314287-repris-de-justice.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/1326314287-repris-de-justice.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Repris de justice&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Avanzi di galera&lt;/span&gt;&lt;br /&gt;1955 - 1hre 30 - VFr&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;Generic MPEG-4 | 544x384 pixels | Mp3 | 690 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/avanzi_di_galera_eddie_constantine_vittorio_cottafavi_009_jpg_udcg.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 401px; height: 785px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/avanzi_di_galera_eddie_constantine_vittorio_cottafavi_009_jpg_udcg.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Repris de justice&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Avanzi di galera&lt;/span&gt;&lt;br /&gt;1955 - 1hre 30 - VFr&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Réalisé par: Vittorio Cottafavi&lt;br /&gt;Scénaristes: Siro Angeli, Gigliola Falluto et Giuseppe Mangione&lt;br /&gt;Dialogue: Mario M. Averini&lt;br /&gt;Adaptation: Vittorio Cottafavi&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 460px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Film à sketch:&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Rome 1954. Trois hommes : un chirurgien (Richard Basehart), un gangster (Eddie Constantine), un escroc (Walter Chiari) sortent de prison ayant purgé leur peine. Avec l'aide de leurs compagnes respectives, ils veulent reprendre leur place dans la société ou régler définitivement leurs comptes…&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Premier sketch:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FCottafavi-1955-Repris%2520de%2520justice%2FValentinaCorteseetRichardBasehart.mp4" height="461" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Richard Basehart: Dottor Stefano Luprandi&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_a-03.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 460px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_a-03.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Valentina Cortese&lt;/span&gt;: Moglie di Luprandi&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_a-02.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 460px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_a-02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Second sketch:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FCottafavi-1955-Repris%2520de%2520justice%2FFloraLilloetEddieConstantine.mp4" height="461" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold;"&gt;Eddie Constantine&lt;/span&gt;: Franco Cesari&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_b-01.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 460px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_b-01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Flora Lillo: Anna - la donna di Cesari&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_b-03.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 460px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_b-03.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_b-04.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 460px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_b-04.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_b-05.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 463px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_b-05.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;Troisième sketch:&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FCottafavi-1955-Repris%2520de%2520justice%2FAntonellaLualdietWalterChiari.mp4" height="461" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Antonella Lualdi&lt;/span&gt;: Giovanna&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 460px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-05.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-05.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Walter Chiari: Giuseppe Rasi&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-02.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 460px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-06.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 460px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/repris_justice_c-06.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;Generic MPEG-4 | 544x384 pixels | Mp3 | 690 Mo&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/2415010827/tantine_55_repris.zip.001&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/185531665/tantine_55_repris.zip.002&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/3182556185/tantine_55_repris.zip.003&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;https://www.rapidshare.com/files/4063362809/tantine_55_repris.zip.004&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family: times new roman;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Cottafavi-1955-Repris%20de%20justice/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Valentina%20Cortese/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Valentina Cortese&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Valentina%20Cortese/Valentina_Cortese-10.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%x;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Valentina%20Cortese/Valentina_Cortese-10.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Actrices/Antonella%20Lualdi/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Antonella Lualdi&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Antonella%20Lualdi/antonella_lualdi_015.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Antonella%20Lualdi/antonella_lualdi_015.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-4064396731850084206?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/4064396731850084206/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=4064396731850084206&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/4064396731850084206'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/4064396731850084206'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/cottafavi-1955-repris-de-justice.html' title='Cottafavi-1955-Repris de justice'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-7866178633513832931</id><published>2012-01-25T06:32:00.003-05:00</published><updated>2012-01-25T07:25:45.982-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Eddie Constantine'/><category scheme='http://www.blogger.com/atom/ns#' term='1950-59'/><title type='text'>Berry-1955-Je suis un sentimental</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/je-suis-un-sentimental-affiche_49030_1446.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/je-suis-un-sentimental-affiche_49030_1446.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;Je suis un sentimental&lt;/span&gt;&lt;br /&gt;1955 - 1hre 37&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 512x368 pixels | Mp3 | 700 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/Jesuisungrandsentimental.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/Jesuisungrandsentimental.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;Je suis un sentimental&lt;/span&gt;&lt;br /&gt;1955 - 1hre 37&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FBerry-1955-Je%2520suis%2520un%2520sentimental%2FEddieConstantine.mp4" height="470" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;John Berry&lt;/span&gt;&lt;br /&gt;Conseiller technique : Roger Dallier&lt;br /&gt;Scénario et adaptation : Lee Gold, Tamara Hovey, John Berry&lt;br /&gt;Dialogues : Jacques-Laurent Bost&lt;br /&gt;Assistant réalisateur : Jacques Nahum&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=suisunsentimental-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/suisunsentimental-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Eddie Constantine&lt;/span&gt; : Barney Morgan reporter aux "Nouvelles de Paris"&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=suisunsentimental-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/suisunsentimental-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Bella Darvi&lt;/span&gt; : Marianne Colas, l'avocate de Gérard&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/bella_darvi_suis_un_sentimental-04.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 470px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/bella_darvi_suis_un_sentimental-04.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/Bella_Darvi_suisunsentimental-01.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/Bella_Darvi_suisunsentimental-01.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/bella_darvi_suis_un_sentimental-03.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/bella_darvi_suis_un_sentimental-03.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/Bella_Darvi_suisunsentimental-02.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 470px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/Bella_Darvi_suisunsentimental-02.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Paul Frankeur : Jacques Rupert, le rédacteur en chef des "Nouvelles de Paris"&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=suisunsentimental-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/suisunsentimental-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Aimé Clariond : Mr de Villeterre, le grand patron&lt;br /&gt;Olivier Hussenot : Michel Gérard, le mari de la victime&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=suisunsentimental-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/suisunsentimental-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Cosetta Greco&lt;/span&gt; : Alice Gérard, la victime&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/cosetta_greco.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 381px; height: 375px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/cosetta_greco.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/cosetta_greco_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/cosetta_greco_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/cosetta_greco_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/cosetta_greco_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Walter Chiari : Dédé la couleuvre&lt;br /&gt;Robert Lombard : Olivier de Villeterre&lt;br /&gt;André Versini : Armand Sylvestre, le comédien&lt;br /&gt;Albert Rémy : Ledoux, le complice&lt;br /&gt;Albert Dinan : Henri&lt;br /&gt;René Hell : Raymond les binocles&lt;/span&gt;&lt;br /&gt;...&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=suisunsentimental-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/suisunsentimental-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Alice, menacée par son mari Edmond Gérard, qui sort de prison, demande à son amant de lui donner les moyens de quitter Paris. L'homme, un certain Olivier, fils du « Grand Patron » du iournal « Les Nouvelles de Paris », craignant le scandale, étrangle Alice avec le foulard que Gérard a laissé chez elle. Un autre « ami » d'Alice, Rupert, rédacteur en chef aux « Nouvelles de Paris », vient lui rendre visite mais il ne trouve que le cadavre de la jeune femme. Pour ne pas être inculpé dans cette affaire, Rupert demande à son ami Barney, reporter dans le même journal, de devancer la police en livrant l'assassin qui, comme tout semble l'indiquer, ne peut être que Gérard. Convaincu de faire acte de justice, Barney ne tarde pas à découvrir Gérard, dont il permet l'arrestation malgré ses protestations d'innocence. Mais l'avocate de Gérard, Marianne, réussit à ébranler la conviction de Barney et lui fait découvrir qu'Olivier, le fils de son patron, est l'assassin.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=suisunsentimental-05.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/suisunsentimental-05.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Il existe une preuve de la liaison d'Olivier et d'Alice. Mais, prévenu par Rupert qui se livre à un odieux marchandage pour garder sa place, le patron du journal la fait disparaître. Barney cherche à obtenir les aveux d'un comédien qu'Alice et Olivier faisaient chanter. Cette nouvelle piste le conduit d'abord à l'hôpital car des machinistes du théâtre l'ont assommé sur ordre de leur patron, puis en prison sous l'inculpation de chantage. Avec l'aide de Marianne et d'un camarade qui a des relations dans la pègre, Barney réussit à s'évader et malgré la balle reçue dans sa fuite, à gagner le journal où, seul, il fait imprimer une édition spéciale qui en dévoilant la vérité devant l'opinion, sauvera Gérard de la guillotine. Les vrais coupables seront punis, Gérard libéré, et Barney, avec l'aide de Marianne, pourra compter sur l'indulgence des jurés pour les multiples tours qu'il a joués à la police et à la justice.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=suisunsentimental-07.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/suisunsentimental-07.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;Generic MPEG-4 | 512x368 pixels | Mp3 | 700 Mo&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/907990625/tantine_55_sentimental.zip.001&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/4279511646/tantine_55_sentimental.zip.002&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/2524771490/tantine_55_sentimental.zip.003&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/1565622157/tantine_55_sentimental.zip.004&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/Mon_Film-339.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/Mon_Film-339.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=je-suis-un-sentimental-04-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/th_je-suis-un-sentimental-04-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=je-suis-un-sentimental-01-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/th_je-suis-un-sentimental-01-g.jpg" alt="" border="0" /&gt;&lt;/a&gt; • &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/?action=view&amp;amp;current=je-suis-un-sentimental-02-g.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/th_je-suis-un-sentimental-02-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/je-suis-un-sentimental-03-g.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Berry-1955-Je%20suis%20un%20sentimental/je-suis-un-sentimental-03-g.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Bella%20Darvi/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Bella Darvi&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Bella%20Darvi/Bella_Darvi-09.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Bella%20Darvi/Bella_Darvi-09.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Cosetta%20Greco/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Cosetta Greco&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Cosetta%20Greco/Cosetta_Greco-04.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Cosetta%20Greco/Cosetta_Greco-04.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-7866178633513832931?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/7866178633513832931/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=7866178633513832931&amp;isPopup=true' title='1 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7866178633513832931'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/7866178633513832931'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/berry-1955-je-suis-un-sentimental.html' title='Berry-1955-Je suis un sentimental'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-6198035839445224903</id><published>2012-01-24T11:59:00.004-05:00</published><updated>2012-01-24T12:49:52.193-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Eddie Constantine'/><category scheme='http://www.blogger.com/atom/ns#' term='1950-59'/><title type='text'>Sacha-1953-Cet homme est dangereux</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/cet_homme_est_dangereux_aff_1.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 889px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/cet_homme_est_dangereux_aff_1_650.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;Cet homme est dangereux&lt;/span&gt;&lt;br /&gt;1953 - 1hre 32&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-family:times new roman;"&gt;Generic MPEG-4 | 640x480 pixels | Mp3 | 490 Mo&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/cet_homme_est_dangereux_aff_2.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 438px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/cet_homme_est_dangereux_aff_2_650.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:130%;" &gt;Cet homme est dangereux&lt;/span&gt;&lt;br /&gt;1953 - 1hre 32&lt;br /&gt;---&lt;br /&gt;&lt;embed type="application/x-shockwave-flash" allowfullscreen="true" allownetworking="all" wmode="transparent" src="http://static.photobucket.com/player.swf" flashvars="file=http%3A%2F%2Fvid664.photobucket.com%2Falbums%2Fvv9%2Ffrancomac123%2FTravail%2520en%2520cours%2FTravail%2520par%2520album%2FSacha-1953-Cet%2520homme%2520est%2520dangereux%2FLemmyCaution.mp4" height="391" width="650"&gt;&lt;/embed&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : Jean Sacha&lt;br /&gt;Scénario : Jacques Berland, d'après le roman de &lt;span style="font-weight: bold;"&gt;Peter Cheney&lt;/span&gt;, "This Man is Dangerous"&lt;br /&gt;Dialogues : &lt;span style="font-weight: bold;"&gt;Marcel Duhamel&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/?action=view&amp;amp;current=cet_homme_dangereux-02.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/cet_homme_dangereux-02.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Eddie Constantine&lt;/span&gt; : Lemmy Caution&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/?action=view&amp;amp;current=cet_homme_dangereux-01.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/cet_homme_dangereux-01.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Colette Deréal&lt;/span&gt; : Constance&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/colette_derealjpg_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 490px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/colette_derealjpg_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/colette_dereal.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/colette_dereal.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/colette_dereal_1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/colette_dereal_1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Grégoire Aslan : Siégella&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Claude Borelli&lt;/span&gt; : Miranda van Zelten&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/?action=view&amp;amp;current=ClaudeBorelli.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/ClaudeBorelli.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Jacqueline Pierreux&lt;/span&gt; : Dora&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/jacqueline_pierreux_23.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 490px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/jacqueline_pierreux_23.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/jacqueline_pierreux.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/jacqueline_pierreux.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/jacqueline_pierreux_2.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:50%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/jacqueline_pierreux_2.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Véra Norman&lt;/span&gt; : Suzanne&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/?action=view&amp;amp;current=cet_homme_dangereux-03.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/cet_homme_dangereux-03.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Guy Decomble : Jacques Le Dingue&lt;br /&gt;Luc Andrieux : Maurice&lt;br /&gt;Henri Djanik : William Bosco&lt;br /&gt;Emile Genevois : un athlète&lt;br /&gt;Michel Seldow : Pierrot les Cartes&lt;br /&gt;Colette Mareuil : l'entraîneuse&lt;br /&gt;Michel Nastorg : Goyas&lt;br /&gt;Jacques Richard : Jimmy&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/?action=view&amp;amp;current=cet_homme_dangereux-04.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/cet_homme_dangereux-04.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br style="font-style: italic;"&gt;&lt;blockquote&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-style: italic;"&gt;Deux bandes de gangsters, celle de Siegela et celle de Goyas, ont décidé de kidnapper une riche héritière, Miranda. Lemmy Caution, du F.B.I., entreprend de déjouer leurs plans. Il tue Goyas et, se faisant passer pour un bandit, entre en contact avec Siegela, à qui il promet de livrer la jeune fille. Il s'allie également à Dora, qui a repris la bande de Goyas. Mais Siegala tue Dora et fait prisonnier Lemmy et Miranda. Bien entendu, le policier réussira à s'échapper et à coffrer toute la bande.&lt;/span&gt;&lt;br style="font-style: italic;"&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/?action=view&amp;amp;current=cet_homme_dangereux-06.jpg" target="_blank"&gt;&lt;img src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/cet_homme_dangereux-06.jpg" alt="Photobucket" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;Generic MPEG-4 | 640x480 pixels | Mp3 | 490 Mo&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/3198832446/sacha_53_homme_dange.zip.001&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/2200387712/sacha_53_homme_dange.zip.002&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;https://www.rapidshare.com/files/750974811/sacha_53_homme_dange.zip.003&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:times new roman;font-size:85%;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Sacha-1953-Cet%20homme%20est%20dangereux/"&gt;Imagerie&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Colette%20Dereal/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Colette Deréal&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Colette%20Dereal/Colette_Dereal-02.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Colette%20Dereal/Colette_Dereal-02.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Claude%20Borelli/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Claude Borelli&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Claude%20Borelli/Claude_Borelli-01.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Claude%20Borelli/Claude_Borelli-01.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Jacqueline%20Pierreux/"&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Jacqueline Pierreux&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Jacqueline%20Pierreux/Jacqueline_Pierreux-03.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Jacqueline%20Pierreux/Jacqueline_Pierreux-03.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;--&amp;gt; &lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;&lt;a href="http://s664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Vera%20Norman/"&gt;Véra Norman&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Vera%20Norman/Vera_Norman-05.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Actrices%202/Vera%20Norman/Vera_Norman-05.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-6198035839445224903?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/6198035839445224903/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=6198035839445224903&amp;isPopup=true' title='0 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/6198035839445224903'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/6198035839445224903'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/sacha-1953-cet-homme-est-dangereux.html' title='Sacha-1953-Cet homme est dangereux'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-2476717320470671336</id><published>2012-01-22T11:07:00.001-05:00</published><updated>2012-01-22T11:08:26.049-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Entracte'/><title type='text'>Y l'ont l'affaire les amaricains!</title><content type='html'>&lt;iframe src="http://www.youtube.com/embed/HQ821iKZorQ" allowfullscreen="" frameborder="0" height="471" width="650"&gt;&lt;/iframe&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4115930751838301299-2476717320470671336?l=kebekmac.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://kebekmac.blogspot.com/feeds/2476717320470671336/comments/default' title='Publier les commentaires'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4115930751838301299&amp;postID=2476717320470671336&amp;isPopup=true' title='6 commentaires'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/2476717320470671336'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4115930751838301299/posts/default/2476717320470671336'/><link rel='alternate' type='text/html' href='http://kebekmac.blogspot.com/2012/01/y-lont-laffaire-les-amaricains.html' title='Y l&apos;ont l&apos;affaire les amaricains!'/><author><name>Richard</name><uri>http://www.blogger.com/profile/06049217867384829969</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='27' src='http://2.bp.blogspot.com/_9LYF85_LpgM/TPeX-yBVYFI/AAAAAAAAEJQ/yz3v4THIo6E/S220/img_0140.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://img.youtube.com/vi/HQ821iKZorQ/default.jpg' height='72' width='72'/><thr:total>6</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4115930751838301299.post-2638010741025225084</id><published>2012-01-21T11:09:00.001-05:00</published><updated>2012-01-21T11:14:58.616-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Cinéma'/><category scheme='http://www.blogger.com/atom/ns#' term='Film noir'/><category scheme='http://www.blogger.com/atom/ns#' term='1940-49'/><title type='text'>Preminger-1946-Laura</title><content type='html'>&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/laura-poster2.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/laura-poster2.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/p7spep_masthead16.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:100%;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/p7spep_masthead16.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/18-gene_tierney_laura_thb.png"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 134px; height: 122px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/18-gene_tierney_laura_thb.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/generi.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 495px; height: 104px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/generi.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a name='more'&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/laura-wallpaper_650.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 650px; height: 177px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/laura-wallpaper_650.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/Poster-Laura_04.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width:650px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/Poster-Laura_04.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-weight: bold; font-style: italic;font-size:180%;" &gt;Laura&lt;/span&gt;&lt;br /&gt;1946 - 1hre 25&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold; font-family:times new roman;" &gt;VFr&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt; | 704x512 pixels | Mp3 | 690 Mo&lt;/span&gt;&lt;br  style="font-family:times new roman;"&gt;&lt;span style="font-weight: bold; font-family:times new roman;" &gt;V0rStFr&lt;/span&gt;&lt;span style="font-family:times new roman;"&gt; incr. | 360x288 pixels | Mp3 | 1,1 Go&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;---&lt;br /&gt;&lt;iframe src="http://www.youtube.com/embed/Pugaycx_Hko?rel=0" allowfullscreen="" frameborder="0" height="517" width="650"&gt;&lt;/iframe&gt;&lt;br /&gt;---&lt;br /&gt;&lt;/div&gt;Réalisation : &lt;span style="font-weight: bold;"&gt;Otto Preminger&lt;/span&gt; &lt;span style="font-size:85%;"&gt;(et Rouben Mamoulian, renvoyé, non-crédité au générique)&lt;/span&gt;&lt;br /&gt;Scénario : Jay Dratler, Samuel Hoffenstein et Elizabeth Reinhardt, d'après le roman de &lt;span style="font-weight: bold;"&gt;Vera Caspary&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/02-Laura.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 473px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/02-Laura.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Distribution:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(153, 51, 153);"&gt;Gene Tierney&lt;/span&gt;    (Laura Hunt)&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/02-Gene_Tierney_laura-1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 662px; height: 487px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/02-Gene_Tierney_laura-1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/01-Gene_Tierney_laura-1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:315px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/01-Gene_Tierney_laura-1.png" alt="" border="0" /&gt;&lt;/a&gt; &lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/04-Gene_Tierney_laura-1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:315px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/04-Gene_Tierney_laura-1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/03-Gene_Tierney_laura-1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:315px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/03-Gene_Tierney_laura-1.png" alt="" border="0" /&gt;&lt;/a&gt; &lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/06-Gene_Tierney_laura-1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width:315px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/06-Gene_Tierney_laura-1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/05-Gene_Tierney_laura-1.png"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 662px; height: 486px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Actrices/Gene%20Tierney/05-Gene_Tierney_laura-1.png" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Dana Andrews    (le lieutenant Mark McPherson)&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/01-Laura.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 473px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/01-Laura.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Clifton Webb    (Waldo Lydecker)&lt;br /&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/03-Laura.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 473px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/03-Laura.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-weight: bold;"&gt;Vincent Price&lt;/span&gt;    (Shelby Carpenter)&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/Vincent_Price.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 650px; height: 520px;" src="http://i664.photobucket.com/albums/vv9/francomac123/Travail%20en%20cours/Travail%20par%20album/Preminger-1944-Laura/Vincent_Price.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Judith Anderson    (Ann Treadwell)&lt;br /&gt;Dorothy Adams    (Bes
